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DJMI SIGNED

Zouj: Dynamic Jewish-Muslim Interaction in Popular Maghribi Comedic Performance Culture since the 1920s

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 DJMI project word cloud

Explore the words cloud of the DJMI project. It provides you a very rough idea of what is the project "DJMI" about.

1920s    too    day    hebrew    shared    generations    ranic    arabic    light    interactions    begin    couple    recognition    cross    morocco    maghribi    little    venture    situation    what    reception    adapting    jews    telling    depict    square    halqa    zouj    existed    produces    until    implications    commedia    uttermost    systematic    emanates    theatrical    anthropological    first    african    sui    satirical    theatre    genre    renewal    music    qu    literature    local    dynamics    israel    style    street    tales    word    recitation    rhetorically    mediterranean    perceived    globe    reimagine    generis    divisions    muslim    france    africa    sectarian    dialogical    public    folk    circle    musics    palestine    performing    crucible    acirc    interconnections    nostalgia    cha    scene    traces    functioned    texts    jewish    maghrib    north    perspectives    algeria    vignettes    bi    northern    historical    explore    everyday    popular    connecting    performance    comedy    djmi    arts    stand    hook    muslims    connects    sketches    arte    dramatic    del    film    culture    debates    proto    comedic    geographically    basis    wave    relations   

Project "DJMI" data sheet

The following table provides information about the project.

Coordinator
THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE 

Organization address
address: TRINITY LANE THE OLD SCHOOLS
city: CAMBRIDGE
postcode: CB2 1TN
website: www.cam.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Total cost 261˙975 €
 EC max contribution 261˙975 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2019
 Funding Scheme MSCA-IF-GF
 Starting year 2021
 Duration (year-month-day) from 2021-04-01   to  2024-03-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE UK (CAMBRIDGE) coordinator 261˙975.00
2    UNIVERSITE MOHAMMED V DE RABAT MA (RABAT) partner 0.00

Map

 Project objective

DJMI will provide the first systematic study into the dynamics of Muslim-Jewish interactions in popular comedic performance culture from the 1920s in the Maghrib and France, until the present day. The project’s hook is the word Zouj because of its shared meaning in Arabic and Hebrew: a couple, or two. While there is recognition that such ‘Mediterranean culture’ existed, there has been all too little analysis of how it functioned in the past, what its current state is, and what the implications of such change are. In its venture to explore the dynamics of these dialogical interactions through popular culture, DJMI will begin by investigating the satirical sketches of early popular comedic theatrical production in Morocco and Algeria as the crucible for the North African performing arts scene to come. These sketches were sui generis and cross-genre, adapting elements of local halqa—circle-based qu’ranic recitation—commedia del’arte-style street theatre, local musics, and the telling of folk tales and everyday-vignettes in local Arabic in the public square. DJMI traces the dynamics of Jewish-Muslim interactions through the production and texts of these sketches to Maghribi chaâbi (popular) music, and on to stand-up comedy in the present day connecting to a renewal of interest in Muslim-Jewish interactions among new generations across northern Africa in reception to a recent wave of literature, film, and music that seeks to depict or reimagine these interactions and relations. DJMI thus connects the historical to the anthropological proto-nostalgia of this reception to focus on the debates and interconnections that this renewal of interest produces and where this emanates from. These perspectives and their historical basis are of the uttermost importance in light of the perceived increasingly sectarian divisions between Muslims and Jews across the globe, both rhetorically and geographically, including the particularly dramatic situation in Israel-Palestine

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The information about "DJMI" are provided by the European Opendata Portal: CORDIS opendata.

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relatedResult rcn (1288643) AGGIORNATO correttamente
lastchecktime (2025-04-29 23:38:46) correctly updated