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MIM

Enhancing Motion Interaction through Music Performance

Total Cost €

0

EC-Contrib. €

0

Partnership

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Project "MIM" data sheet

The following table provides information about the project.

Coordinator
CENTRE NATIONAL DE LA RECHERCHE SCIENTIFIQUE CNRS 

Organization address
address: RUE MICHEL ANGE 3
city: PARIS
postcode: 75794
website: www.cnrs.fr

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country France [FR]
 Project website http://mim.ircam.fr
 Total cost 232˙160 €
 EC max contribution 232˙160 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2014
 Funding Scheme MSCA-IF-GF
 Starting year 2016
 Duration (year-month-day) from 2016-01-04   to  2019-01-03

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    CENTRE NATIONAL DE LA RECHERCHE SCIENTIFIQUE CNRS FR (PARIS) coordinator 232˙160.00
2    INSTITUT DE RECHERCHE ET DE COORDINATION ACOUSTIQUE MUSIQUE - IRCAM FR (PARIS) participant 0.00
3    ROYAL INSTITUTION FOR THE ADVANCEMENT OF LEARNING MCGILL UNIVERSITY CA (MONTREAL) partner 0.00

Map

 Project objective

The proposed project aims to enhance Human Motion–Computer Interaction by leveraging on a multidisciplinary approach between experimental psychology, music technology and computational modelling. Firstly, the project looks at skilled activities, in particular music performance, in order to understand fundamental cognitive and psychological aspects of control and expression in human motion. The project involves computational models of motor control and expressive variations built from music performance data collected during psychophysical studies. Secondly, the project broaches the implementation of these models in Digital Musical Instruments (DMI), thus creating a new type of digital instrument based on sensorimotor learning mechanisms. The resulting DMI is then assessed through a user study in which elements of exploration and engagement will be tested over several sessions. Therefore, the project contributes to two main uncharted research areas. Firstly it contributes to the fundamental understanding of sensorimotor learning processes by considering complex human motion, specifically motion in music performance. Secondly, it represents an original application of computational modelling by modelling expressive musical gestures and transferring these models to interactive systems.

 Publications

year authors and title journal last update
List of publications.
2018 Baptiste Caramiaux, Frédéric Bevilacqua, Marcelo M. Wanderley, Caroline Palmer
Dissociable effects of practice variability on learning motor and timing skills
published pages: e0193580, ISSN: 1932-6203, DOI: 10.1371/journal.pone.0193580
PLOS ONE 13/3 2019-09-13
2018 Kristina Höök, Baptiste Caramiaux, Cumhur Erkut, Jodi Forlizzi, Nassrin Hajinejad, Michael Haller, Caroline Hummels, Katherine Isbister, Martin Jonsson, George Khut, Lian Loke, Danielle Lottridge, Patrizia Marti, Edward Melcer, Florian Müller, Marianne Petersen, Thecla Schiphorst, Elena Segura, Anna Ståhl, Dag Svanæs, Jakob Tholander, Helena Tobiasson
Embracing First-Person Perspectives in Soma-Based Design
published pages: 8, ISSN: 2227-9709, DOI: 10.3390/informatics5010008
Informatics 5/1 2019-09-13
2017 Caramiaux, Baptiste; Françoise, Jules; Bevilacqua, Frédéric
Dynamic Bayesian networks for musical interaction
published pages: , ISSN: , DOI:
The Routledge Companion to Embodied Music Interaction 2 2019-09-13

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The information about "MIM" are provided by the European Opendata Portal: CORDIS opendata.

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