Explore the words cloud of the FluCoMa project. It provides you a very rough idea of what is the project "FluCoMa" about.
The following table provides information about the project.
Coordinator |
UNIVERSITY OF HUDDERSFIELD
Organization address contact info |
Coordinator Country | United Kingdom [UK] |
Total cost | 1˙997˙431 € |
EC max contribution | 1˙997˙431 € (100%) |
Programme |
1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC)) |
Code Call | ERC-2016-COG |
Funding Scheme | ERC-COG |
Starting year | 2017 |
Duration (year-month-day) | from 2017-09-01 to 2022-08-31 |
Take a look of project's partnership.
# | ||||
---|---|---|---|---|
1 | UNIVERSITY OF HUDDERSFIELD | UK (HUDDERSFIELD) | coordinator | 1˙997˙431.00 |
The FluCoMA project instigates new musical ways of exploiting ever-growing banks of sound and gestures within the digital composition process by bringing breakthroughs of signal decomposition DSP to the toolset of techno-fluent computer composers for the first time. Cutting-edge musical composition has always been dependent on, critical and subversive of the latest advances of technology. Unfortunately, there is a contemporary challenge inherent to aesthetic research in computer composition: an ever-expanding gap between DSP advances and their availability to musical investigators. One such advance is signal decomposition: a sound can now be separated into its transient, pitched, and residual constituents. These potent algorithms are partially available in closed software, or in laboratories, but not at a suitable level of modularity within the coding environments used by the creative researchers (Max and SuperCollider) to allow groundbreaking sonic research into a rich unexploited area: the manipulation of large sound corpora. Indeed, with access to, genesis of, and storage of large sound banks now commonplace, novel ways of abstracting and manipulating them are needed to mine their inherent potential. FluCoMa proposes to tackle this issue by bridging this gap, empowering techno-fluent aesthetic researchers with a toolset for signal decomposition within their mastered software environments, in order to experiment with new sound and gesture design untapped in large corpora. The three degrees of manipulations to be explored are (1) expressive browsing and descriptor-based taxonomy, (2) remixing, component replacement, and hybridisation by concatenation, and (3) pattern recognition at component level, with interpolating and variation making potential. These novel manipulations will yield new sounds, new musical ideas, and new approaches to large corpora. At present, no library exists allowing such cutting-edge research on creative fluid corpus manipulations to be done
year | authors and title | journal | last update |
---|---|---|---|
2019 |
Roma, Gerard ; Green, Owen ; Tremblay, Pierre Alexandre. Adaptive Mapping of Sound Collections for Data-driven Musical Interfaces. published pages: , ISSN: 2220-4806, DOI: |
Proceedings of the International Conference on New Interfaces for Musical Expression. | 2020-04-24 |
2019 |
Tremblay, Pierre Alexandre ; Green, Owen ; Roma, Gerard ; Harker, Alexander. From Collections to Corpora: Exploring Sounds through Fluid Decomposition published pages: , ISSN: 2223-3881, DOI: |
International Computer Music Conference Proceedings 2019 | 2020-04-24 |
2019 |
Roma, Gerard ; Green, Owen ; Tremblay, Pierre Alexandre. Time Scale Modification of Audio Using Non-Negative Matrix Factorization published pages: , ISSN: 2413-6689, DOI: |
Proceedings of the 22nd International Conference on Digital Audio Effects (DAFx-19) | 2020-04-24 |
2018 |
John Bowers, Owen Green All the Noises: Hijacking Listening Machines for Performative Research published pages: , ISSN: , DOI: |
2019-05-28 | |
2018 |
Owen Green, Pierre Alexandre Tremblay, Gerard Roma Interdisciplinary Research as Musical Experimentation: A case study in musicianly approaches to sound corpora published pages: , ISSN: , DOI: |
2019-05-28 | |
2018 |
Roma, G., Xambó, A. & Freeman, J. User-independent Accelerometer Gesture Recognition for Participatory Mobile Music published pages: , ISSN: 1549-4950, DOI: |
Journal of the Audio Engineering Society | 2019-05-28 |
2018 |
Gerard Roma, Owen Green, Pierre Alexandre Tremblay Stationary/transient audio separation using convolutional autoencoders published pages: , ISSN: , DOI: |
2019-05-28 | |
2018 |
Gerard Roma, Owen Green, Anna Xambó, Pierre Alexandre Tremblay A Javascript Library for Flexible Visualization of Audio Descriptors published pages: , ISSN: , DOI: |
2019-05-28 | |
2018 |
Anna Xambó, Gerard Roma, Alexander Lerch, Mathieu Barthet, György Fazekas Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases published pages: , ISSN: , DOI: |
2019-05-28 | |
2018 |
Xambó, Anna; Roma, Gerard; Shah, Pratik; Tsuchiya, Takahiko; Freeman, Jason; Magerko, Brian Turn-taking and Online Chatting in Remote and Co-located Collaborative Music Live Coding published pages: , ISSN: 1549-4950, DOI: |
Journal of the Audio Engineering Society | 2019-05-28 |
Are you the coordinator (or a participant) of this project? Plaese send me more information about the "FLUCOMA" project.
For instance: the website url (it has not provided by EU-opendata yet), the logo, a more detailed description of the project (in plain text as a rtf file or a word file), some pictures (as picture files, not embedded into any word file), twitter account, linkedin page, etc.
Send me an email (fabio@fabiodisconzi.com) and I put them in your project's page as son as possible.
Thanks. And then put a link of this page into your project's website.
The information about "FLUCOMA" are provided by the European Opendata Portal: CORDIS opendata.
Understanding how mitochondria compete with Toxoplasma for nutrients to defend the host cell
Read MoreA need for speed: mechanisms to coordinate protein synthesis and folding in metazoans
Read MoreJust because we can, should we? An anthropological perspective on the initiation of technology dependence to sustain a child’s life
Read More