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Art market SIGNED

‘The re-privatization of the contemporary art world: private collectors and artist-entrepreneurs in the changing geographies of European art’

Total Cost €

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EC-Contrib. €

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Partnership

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Project "Art market" data sheet

The following table provides information about the project.

Coordinator
ROYAL HOLLOWAY AND BEDFORD NEW COLLEGE 

Organization address
address: EGHAM HILL UNIVERSITY OF LONDON
city: EGHAM
postcode: TW20 0EX
website: http://www.rhul.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Total cost 146˙591 €
 EC max contribution 146˙591 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2014
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2017
 Duration (year-month-day) from 2017-01-01   to  2019-06-15

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    ROYAL HOLLOWAY AND BEDFORD NEW COLLEGE UK (EGHAM) coordinator 146˙591.00

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 Project objective

This project examines the idea that there is an on-going re-privatization of the European art world, in which increasingly it is private art collectors and communities of artist-entrepreneurs that are creating commercial value in the contemporary art market and redrawing our cultural landscape. The rapid expansion of the global art market has meant that art has entered a period of radical institutional, market and industry transformation. Private art collectors and artist-entrepreneurs are now competing with public institutions and the locus of power is moving from public to private actors. This change calls for new critical investigations of agency, value creation and creativity of the art world. My work addresses an area of activity that is central to both European cultural and economic development. The thriving European art scene is a key field within the creative and cultural industries identified as central to Europe’s development and integration by both the Creative Europe strategy and the Europe 2020 strategy.

With new and innovative empirical research, a program of training and knowledge transfer, and an ambitious dissemination plan I aim to contribute to important non-academic and academic debates over the geography and practice of the art world, by exploring how this re-balancing is changing how and where agency and value creation now takes place. Building on geographical analysis and ethnographies of London and Stockholm based private art market actors, I aim to develop new theoretical insights into: a) how and where arts´ commercial value gets created; and b) the increased presence of entrepreneurial and private actors´ strategies in the art world. This proposal involves the training and development of an experienced researcher through: i) time spent in one of Europe’s most innovative centres for human geography research; and ii) a new intra-disciplinary and comparative empirical research project.

 Publications

year authors and title journal last update
List of publications.
2017 Taylor Brydges, Jenny Sjöholm
Becoming a personal style blogger: Changing configurations and spatialities of aesthetic labour in the fashion industry
published pages: 119-139, ISSN: 1367-8779, DOI: 10.1177/1367877917752404
International Journal of Cultural Studies 22/1 2019-08-06

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