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EWPWE SIGNED

Europe at War in Post-war Europe. Performing Greek Tragedies, Comedies and European Identity.

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 EWPWE project word cloud

Explore the words cloud of the EWPWE project. It provides you a very rough idea of what is the project "EWPWE" about.

france    greek    theory    continue    germany    cover    interviews    labs    place    europeans    contemporary    young    me    egrave    ww2    faculty    post    mature    staged    switzerland    drama    archives    prospective    experienc    productions    students    roman    performances    ancient    li    researcher    opportunity    ge    creation    plays    network    apgrd    classics    creative    macintosh    grant    paris    argue    mixing    indisciplinary    environment    supervisor    observation    dramatic    multiple    highlight    uk    onwards    fiona    fellowship    skills    bridge    strands    stage    reception    interdisciplinary    question    libraries    ways    artistic    examine    uoxf    database    archive    rehearsals    history    phd    carreers    seek    war    oxford    told    strenghtening    belgium    director    consciously    academic    identity    scripts    distinctly    dealing    theatre    forefront    sometimes    extended    directors    put    materials    western    world    understand    class   

Project "EWPWE" data sheet

The following table provides information about the project.

Coordinator
THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD 

Organization address
address: WELLINGTON SQUARE UNIVERSITY OFFICES
city: OXFORD
postcode: OX1 2JD
website: www.ox.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Total cost 212˙933 €
 EC max contribution 212˙933 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2018
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2019
 Duration (year-month-day) from 2019-09-01   to  2021-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD UK (OXFORD) coordinator 212˙933.00

Map

 Project objective

This project will examine the multiple ways in which contemporary western European theatre directors (in the UK, Germany, France, Belgium and Switzerland) have staged and continue to stage war with the help of ancient Greek dramatic scripts from the WW2 onwards. I will argue that such performances question and try to understand European identity. The three strands of this interdisciplinary project (in between Classical Reception Studies and Theatre Studies and mixing practice and theory) will cover past, present and prospective dramatic approaches of this question: 1/ academic research (archives, libraries, interviews) to analyse past performances; 2/ observation of contemporary productions in rehearsals; 3/ creative labs with students from Oxford, Paris and Liège to highlight how young Europeans are dealing with those materials. This will allow to propose a history of war on stage in post-war Europe, told through productions of ancient plays that seek, sometimes consciously indeed, to build a distinctly European identity. The fellowship will take place at the APGRD (Archive of Performances of Greek and Roman Drama, Faculty of Classics, UOXF) that is the best environment to manage such a project given its world-class database and archive of performances of Greek and Roman Drama that I will use and contribute to. This indisciplinary project will grant me the opportunity to work with some of the best researchers in Classical Reception Studies in the world (particularly with my supervisor Fiona Macintosh), strenghtening my academic network. I will improve my skills in this field and also in general European research management to become a mature researcher in Classical Reception Studies (since I have a PhD in Theatre Studies). Moreover, since I already have an extended experienc as a stage-director, this research-as-creation project will bridge my academic and artistic carreers and put me at the forefront of Theatre Studies.

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The information about "EWPWE" are provided by the European Opendata Portal: CORDIS opendata.

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