ARTECHNE SIGNED
Technique in the Arts. Concepts, Practices, Expertise (1500-1950)
Total Cost €
0EC-Contrib. €
0Partnership
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0ARTECHNE project word cloud
Explore the words cloud of the ARTECHNE project. It provides you a very rough idea of what is the project "ARTECHNE" about.
Project "ARTECHNE" data sheet
The following table provides information about the project.
| Coordinator |
UNIVERSITEIT UTRECHT
Organization address contact info |
| Coordinator Country | Netherlands [NL] |
| Project website | http://www.artechne.nl |
| http://twitter.com/@ArtechneProject | |
| Total cost | 1˙907˙944 € |
| EC max contribution | 1˙907˙944 € (100%) |
| Programme |
1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC)) |
| Code Call | ERC-2014-CoG |
| Funding Scheme | ERC-COG |
| Starting year | 2015 |
| Duration (year-month-day) | from 2015-09-01 to 2020-08-31 |
Partnership
Take a look of project's partnership.
| # | ||||
|---|---|---|---|---|
| 1 | UNIVERSITEIT UTRECHT | NL (UTRECHT) | coordinator | 1˙804˙889.00 |
| 2 | UNIVERSITEIT VAN AMSTERDAM | NL (AMSTERDAM) | participant | 103˙055.00 |
Map
Project objective
The transmission of ‘technique’ in art has been a conspicuous ‘black box’ resisting analysis. The tools of the humanities used to study the transmission of ideas and concepts are insufficient when it comes to understanding the transmission of something as non-propositional and non-verbal as ‘technique’. The insights of the neurosciences in, for example, the acquisition and transmission of drawing skills are not yet sufficiently advanced to be historically restrictive. However, only in the most recent years, the history of science and technology has turned to how-to instructions as given in recipes. This project proposes to undertake the experimental reconstruction of historical recipes to finally open the black box of the transmission of technique in the visual and decorative arts. Considering ‘technique’ as a textual, material and social practice, this project will write a long-term history of the theory and practice of the study of ‘technique’ in the visual and decorative arts between 1500 and 1950. The three central research questions here are: (1) what is technique in the visual and decorative arts, (2) how is technique transmitted and studied, and (3) who is considered expert in technique, and why? This project will make a breakthrough in our understanding of the transmission of technique in the arts by integrating methodologies typical for the humanities and historical disciplines with laboratory work. Also, by providing a history of technique in the arts, this project lays the historical foundations of the epistemologies of conservation, restoration and technical art history precisely at a moment of greatest urgency. The connection between the history of science and technology and the expertise in conservation, restoration and technical art history (in the Ateliergebouw in Amsterdam) this project envisions builds the intellectual infrastructure of a new field of interdisciplinary research, unique in Europe.
Publications
| year | authors and title | journal | last update |
|---|---|---|---|
| 2017 |
Jenny Boulboullé Blog: Seasonality and the (Re)creation of Early Modern Color Worlds published pages: , ISSN: , DOI: |
The Recipes Project | 2019-06-06 |
| 2017 |
Sven Dupré Blog: New Ways of Seeing and Knowing. How Art Moved from the Laboratory to the University published pages: , ISSN: , DOI: |
Artechne Project Blog | 2019-06-06 |
| 2018 |
Sven Dupré Blog: Re-working with Makers, Part 2 published pages: , ISSN: , DOI: |
Artechne Project Blog | 2019-06-06 |
| 2016 |
Marieke M. A. Hendriksen Blog: Preserving and Modelling the Body: Technique in Anatomical Practice and Visual Arts at the Royal College of Surgeons of Edinburgh, 1700-1850 published pages: , ISSN: , DOI: |
RCSEd Library and Archive blog | 2019-06-06 |
| 2018 |
Marieke M. A. Hendriksen Digitale methoden in kunsthistorisch onderzoek: kansen en aandachtspunten published pages: 4-7, ISSN: , DOI: |
Article vol. 20 | 2019-06-06 |
| 2017 |
Jenny Boulboullé Blog: “In Waking Hoursâ€: Historical Reconstruction, Film, and Why we Need More Diversity in Academic Output published pages: , ISSN: , DOI: |
Artechne Project Blog | 2019-06-06 |
| 2017 |
Marieke M. A. Hendriksen Met Boerhaave naar de bouwmarkt. Over een chemisch oventje en het nut van historische reconstructies published pages: 90-93, ISSN: , DOI: |
Dingen die ergens toe dienen. Verhalen over materiële cultuur van wetenschap | 2019-06-06 |
| 2018 |
Jenny Boulboullé Blog: The Manual as Artifact: On Artists’ Manuals and Craftsmen’s Handbooks published pages: , ISSN: , DOI: |
History of Knowledge | 2019-06-06 |
| 2017 |
Marieke M. A. Hendriksen “Art and Technique Always Balance the Scaleâ€: German Philosophies of Sensory Perception, Taste, and Art Criticism, and the Rise of the Term Technik , ca. 1735–ca. 1835 published pages: 201-219, ISSN: 2379-3163, DOI: 10.1086/690579 |
History of Humanities 2/1 | 2019-06-06 |
| 2018 |
Thijs Hagendijk and Tonny Beentjes Blog: Vicissitudes in Soldering. Reading and Working with a Historical Gold- and Silversmithing Manual published pages: , ISSN: , DOI: |
History of Knowledge | 2019-06-07 |
| 2016 |
Marieke M. A. Hendriksen Blog: Google Ngram for Early Modern History? published pages: , ISSN: , DOI: |
The Medicine Chest Blog | 2019-06-06 |
| 2017 |
Mariana Pinto Blog: Early Scientific Analysis of Historical Pigments During the Long 19th Century published pages: , ISSN: , DOI: |
Artechne Project Blog | 2019-06-06 |
| 2017 |
Sven Dupré De Mirograph in de Utrechtse Swillenscollectie published pages: 114-117, ISSN: , DOI: |
Dingen die ergens toe dienen. Verhalen over materiële cultuur van wetenschap | 2019-06-06 |
| 2018 |
Marieke M. A. Hendriksen Boerhaave’s Mineral Chemistry and Its Influence on Eighteenth-Century Pharmacy in the Netherlands and England published pages: 1-21, ISSN: 0002-6980, DOI: 10.1080/00026980.2018.1488099 |
Ambix 66 | 2019-06-06 |
| 2016 |
Marieke M. A. Hendriksen Blog: How to Avoid a Bad Buy and Angry Patrons: A Recipe for Pigment Testing published pages: , ISSN: , DOI: |
The Recipes Project | 2019-06-06 |
| 2018 |
Mariana Pinto Blog: Michael Faraday and the Chemistry of the Elgin Marbles published pages: , ISSN: , DOI: |
Artechne Project Blog | 2019-06-06 |
| 2017 |
Marieke M. A. Hendriksen Blog: Transmitting Technique Between Disciplines: the Anatomical Models of William Rush (1756-1833) published pages: , ISSN: , DOI: |
Artechne Project Blog | 2019-06-06 |
| 2018 |
Thijs Hagendijk Maken als groeien – Wat de meester niét in de hand heeft published pages: 4-7, ISSN: , DOI: |
Article vol. 9 | 2019-06-06 |
| 2018 |
Thijs Hagendijk Learning a Craft from Books published pages: 198-235, ISSN: 0394-7394, DOI: 10.1163/18253911-03302002 |
Nuncius 33/2 | 2019-06-06 |
| 2016 |
Mariana Pinto Blog: Short History of the Cochineal Red published pages: , ISSN: , DOI: |
Artechne Project Blog | 2019-06-06 |
| 2017 |
Marieke M. A. Hendriksen Of Artists and Anatomists: Early Nineteenth-Century Plaster Casts in the RCSEd’s Collections published pages: 28-31, ISSN: , DOI: |
Surgeons’ News. The Magazine of The Royal College of Surgeons of Edinburgh vol. 2 | 2019-06-06 |
| 2016 |
Marieke M. A. Hendriksen Blog: Creating and Integrating a Database – Work in Progress published pages: , ISSN: , DOI: |
The Recipes Project | 2019-06-06 |
| 2017 |
Sven Dupré Materials and Techniques between the Humanities and Science: Introduction published pages: 173-178, ISSN: 2379-3163, DOI: 10.1086/690577 |
History of Humanities 2/1 | 2019-06-06 |
| 2016 |
Thijs Hagendijk Blog: How to Read Early Modern Instructions for Gold- and Silversmiths published pages: , ISSN: , DOI: |
Shells and Pebbles | 2019-06-06 |
| 2018 |
Marieke M. A. Hendriksen Criticizing Chrysopoeia? Alchemy, Chemistry, Academics, and Satire in the Northern Netherlands, 1650–1750 published pages: 235-253, ISSN: 0021-1753, DOI: 10.1086/698233 |
Isis 109/2 | 2019-06-06 |
| 2017 |
Thijs Hagendijk Blog: Cutting in Cultural Heritage. Besieging the Archives with a Paper-knife published pages: , ISSN: , DOI: |
Artechne Project Blog | 2019-06-06 |
| 2017 |
Marieke M. A. Hendriksen Blog: The Making of Technique in the Arts: Concepts and Practice from the Sixteenth to the Twentieth Century published pages: , ISSN: , DOI: |
Artechne Project Blog | 2019-06-06 |
| 2017 |
Sven Dupré Blog: Re-enactment in Teaching Art History published pages: , ISSN: , DOI: |
Artechne Project Blog | 2019-06-06 |
| 2017 |
Thijs Hagendijk Blog: Rock-Paper-Scissors. Bending Tools and the Rules published pages: , ISSN: , DOI: |
Artechne Project Blog | 2019-06-06 |
| 2017 |
Sven Dupré De kunst van het maken, Inaugural lecture Chair History of Art, Science and Technology at Utrecht University published pages: , ISSN: , DOI: |
Geesteswetenschappen Universiteit Utrecht | 2019-06-06 |
| 2016 |
Sven Dupré and Marieke M. A. Hendriksen Blog: Introducing ARTECHNE – Technique in the Arts, 1500-1950 published pages: , ISSN: , DOI: |
The Recipes Project | 2019-06-06 |
| 2018 |
Marieke M. A. Hendriksen Blog: The Devil is in the Details: Turpentine Varnish published pages: , ISSN: , DOI: |
The Recipes Project | 2019-06-06 |
| 2017 |
Thijs Hagendijk, Tonny Beentjes and Sven Dupré Boeken in de werkplaats published pages: 72-77, ISSN: , DOI: |
De Boekenwereld vol. 33, no. 3 | 2019-06-06 |
| 2018 |
Sven Dupré Introduction: Science and Practices of Translation published pages: 302-307, ISSN: 0021-1753, DOI: 10.1086/698234 |
Isis 109/2 | 2019-06-06 |
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