Explore the words cloud of the TEXREX project. It provides you a very rough idea of what is the project "TEXREX" about.
The following table provides information about the project.
Coordinator |
KOBENHAVNS UNIVERSITET
Organization address contact info |
Coordinator Country | Denmark [DK] |
Project website | https://ctr.hum.ku.dk/marie-sklodowska-curie-projects/textile-reflections/ |
Total cost | 212˙194 € |
EC max contribution | 212˙194 € (100%) |
Programme |
1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility) |
Code Call | H2020-MSCA-IF-2015 |
Funding Scheme | MSCA-IF-EF-ST |
Starting year | 2016 |
Duration (year-month-day) | from 2016-09-01 to 2018-08-31 |
Take a look of project's partnership.
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1 | KOBENHAVNS UNIVERSITET | DK (KOBENHAVN) | coordinator | 212˙194.00 |
This interdisciplinary research project explores and re-interprets the representations of textile work and textiles in Latin literature. Literary analysis taking into account matters of metrics, sound figures and structure will show that Latin authors display greater technical understanding of textile work than previously assumed, and suggest that their tacit knowledge of textiles/textile production has influenced the artistic development of descriptions of textile crafts. By indexing and analysing all references to textile work in Latin sources (as called for by J.P. Wild in 2000), I will address the discipline-wide problem of multi-purpose terminology. Interdisciplinarity is fundamental to my project and a core value of my host institution (Centre for Textile Research): observation and recordings of reconstruction of ancient textile work (experimental archaeology) will be the basis for my investigation of semblances of textile work in metre, sound-play and structure in Latin texts, providing thematic literary interpretation, highlighting neglected connections between structure, sound-play and meaning. The project results will complement knowledge based on epigraphy and archaeology of the role played by textiles and textile production in Roman life, their ideological connotations, and trials investigation of ancient soundscapes through literary sources. My project relates to four disciplines: philology, sound studies, ancient history, and archaeology. An ambitious training programme is planned for me to expand my expertise in Classical Philology to include aspects of textile archaeology and ancient history, an outcome of this will be a distance learning course, also involving me providing training in online learning at CTR. To maximise long-term impact, I will receive training in research management and network building, e.g. through planned conference organisation and co-publication of a paper with my supervisor Prof. Nosch, part of a wider dissemination strategy.
year | authors and title | journal | last update |
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2018 |
Öhrman, Magdalena \'The Singing Loom: The Importance of Textile Production in the Roman Domestic Soundscape’ published pages: 143-150, ISSN: , DOI: |
Archaeoacoustics lll: more on the archaeology of sound: publication of papers from the Third International Multidisciplinary conference | 2019-06-13 |
2017 |
Magdalena Öhrman Listening for licia: A Reconsideration of Latin licia as Heddle Leashes published pages: 278-287, ISSN: , DOI: 10.13014/K2FB5136 |
Textile Terminologies from Orient to the Mediterranean and Europe, 1000 BC to 1000 AD, eds. S. Gaspa, C. Michel and M.-L. Nosch (eds.) 2017 | 2019-06-13 |
2018 |
Magdalena Ohrman A warped version: manipulating roman looms for metaphorical effect: Potamius of Lisbon’s Epistula de Substantia 5-9 published pages: 51-70, ISSN: 2183-1718, DOI: 10.14195/2183-1718_71_3 |
Humanitas 71 | 2019-06-13 |
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