Explore the words cloud of the METROMOD project. It provides you a very rough idea of what is the project "METROMOD" about.
The following table provides information about the project.
Coordinator |
LUDWIG-MAXIMILIANS-UNIVERSITAET MUENCHEN
Organization address contact info |
Coordinator Country | Germany [DE] |
Total cost | 1˙928˙400 € |
EC max contribution | 1˙928˙400 € (100%) |
Programme |
1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC)) |
Code Call | ERC-2016-COG |
Funding Scheme | ERC-COG |
Starting year | 2017 |
Duration (year-month-day) | from 2017-06-01 to 2022-05-31 |
Take a look of project's partnership.
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1 | LUDWIG-MAXIMILIANS-UNIVERSITAET MUENCHEN | DE (MUENCHEN) | coordinator | 1˙928˙400.00 |
Breaking new ground, METROMOD proposes a rewriting of modern art history as a history of global interconnections, spurred by migration movements and rooted in cities. Revising the historiography of modern art, which still continues to be dominated by the hegemonic and normative narratives of (Western) European Modernism and ignores the significance of exile movements, METROMOD conceptualizes art history as a result of interrelations and negotiations in global contact zones, unstable flows, transformations and crises. In its analysis, METROMOD focuses on the first half of the 20th century. During this era the modern movement emerged as a paradigm in art and architecture, and rapid urbanization took place globally; thousands of persecuted European modern artists fled their homes, re-establishing their practices in metropolises across the world. Reflecting both the geographical extent of these exile movements and their local urban impact METROMOD examines 6 key migrant destinations—the global cities of London, New York, Buenos Aires, Istanbul, Shanghai and Bombay (now Mumbai)—following three main objectives: to explore transformations in urban topographies, identifying artistic contact zones and places of transcultural art production; to investigate networks of exiled and local artists as well as collaborative projects and exhibitions; and to analyse art publications and discourse generated in centres of exile. Digital mapping will locate sites of artistic migration in the cities and demonstrate linkages between transforming metropolises and flows of people and objects around the world. The conceptual triangle of modernism, migration and the metropolis forms the foundation of an innovative comparative, interdisciplinary methodology. As well as impacting art history, METROMOD will provide a historical perspective from which today’s mass migration movements can be better understood.
year | authors and title | journal | last update |
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2019 |
Burcu Dogramaci, Helene Roth Nomadic Camera. Fotografie, Exil und Migration. Editorial published pages: 3-8, ISSN: 0720-5260, DOI: 10.5282/ubm/epub.70031 |
Fotogeschichte 151 | 2020-01-30 |
2019 |
Burcu Dogramaci Mehr als ein Bild. Serie und Zyklus, Fotografie und Emigration published pages: 35-45, ISSN: 0720-5260, DOI: 10.5282/ubm/epub.69904 |
Fotogeschichte 151 | 2020-01-30 |
2019 |
Burcu Dogramaci, Rachel Lee Refugee Artists, Architects and Intellectuals Beyond Europe in the 1930s and 1940s: Experiences of Exile in Istanbul and Bombay published pages: , ISSN: 2275-6639, DOI: 10.4000/abe.5949 |
ABE Journal 14-15 | 2020-01-30 |
2019 |
Helene Roth First Pictures. New York im Auge europäischer emigrierter Fotografinnen und Fotografen in den 1940er Jahren published pages: 17-26, ISSN: 0720-5260, DOI: 10.5282/ubm/epub.70118 |
Fotogeschichte 151 | 2020-01-30 |
2019 |
Burcu Dogramaci Modern Group Portraits in New York Exile. Community and Belonging in the Work of Arthur Kaufmann and Hermann Landshoff published pages: , ISSN: 2405-7177, DOI: |
Stedelijk Studies 9 | 2020-01-30 |
2018 |
Burcu Dogramaci Architekt, Lehrer, Autor: Wilhelm Schütte in der Türkei (1938-1946) published pages: 48-63, ISSN: , DOI: |
Wilhelm Schütte Architekt. Frankfurt, Moskau, Istanbul, Wien | 2019-02-28 |
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