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HAPTIFEEL

Playing by feeling: an investigation of the role of haptic cues in the perceived quality of a musical instrument

Total Cost €

EC-Contrib. €

Partnership

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Outcomes and
results

HAPTIFEEL project word cloud

Explore the words cloud of the HAPTIFEEL project. It provides you a very rough idea of what is the project "HAPTIFEEL" about.

performance associate umbrella informed invested interaction critical instrument plays perception audience encompasses behavior effort music mechanical characterizing point is tactile though sense musical haptic perceptually player peculiarities expert physical sound methodology augmented relatively methodological proprioceptive perceptual feedback interfaces instruments tried haptifeel perceived framework quality digital vibrations musicians view little object performer

Project "HAPTIFEEL" data sheet

The following table provides information about the project.

Coordinator	UNIVERSITA DEGLI STUDI DI PADOVA Organization address address: VIA 8 FEBBRAIO 2 city: PADOVA postcode: 35122 website: www.unipd.it contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.
Coordinator Country	Italy [IT]
Project website	http://smc.dei.unipd.it/haptifeel/
Total cost	84˙138 €
EC max contribution	84˙138 € (100%)
Programme	1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
Code Call	H2020-MSCA-IF-2014
Funding Scheme	MSCA-IF-EF-RI
Starting year	2016
Duration (year-month-day)	from 2016-03-01 to 2017-02-28

Partnership

Take a look of project's partnership.

#	participants	country	role	EC contrib. [€]
1	UNIVERSITA DEGLI STUDI DI PADOVA UNIVERSITA DEGLI STUDI DI PADOVA Organization address address: VIA 8 FEBBRAIO 2 city: PADOVA postcode: 35122 website: www.unipd.it contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.	IT (PADOVA)	coordinator	84˙138.00

Map

Project objective

The assessment of the quality of a musical instrument, both from a physical and a perceptual point of view, has been the object of much research in the past and in more recent years. These studies have tried to associate peculiarities in the instrument's mechanical behavior (i.e. its vibrations) to its sound properties, and to how these are perceived by a performer or audience. A key aspect in the interaction with a musical instrument that is increasingly being investigated, is the haptic feedback which results from the mechanical interaction between performer and instrument. Haptic perception is an umbrella term that encompasses both the tactile and proprioceptive sense, and it is known to be a crucial element in expert music performance. Even though haptic perception plays such a critical role in musical interaction, relatively little effort has been invested so far into characterizing the haptic behavior of a musical instrument and into how this affects musicians' perception. With HAPTIFEEL, we aim at developing a methodological framework to characterize the haptic behavior of several traditional musical instruments as perceived by a player. Our methodology will be based on several perceptually-informed physical measurements together with user-based studies which will make use of tactile-augmented digital musical interfaces.

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The information about "HAPTIFEEL" are provided by the European Opendata Portal: CORDIS opendata.