Explore the words cloud of the DTHPS project. It provides you a very rough idea of what is the project "DTHPS" about.
The following table provides information about the project.
Coordinator |
THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE
Organization address contact info |
Coordinator Country | United Kingdom [UK] |
Project website | http://www.sound-matter.com |
Total cost | 1˙496˙345 € |
EC max contribution | 1˙496˙345 € (100%) |
Programme |
1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC)) |
Code Call | ERC-2014-STG |
Funding Scheme | ERC-STG |
Starting year | 2015 |
Duration (year-month-day) | from 2015-09-01 to 2020-08-31 |
Take a look of project's partnership.
# | ||||
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1 | THE CHANCELLOR MASTERS AND SCHOLARSOF THE UNIVERSITY OF CAMBRIDGE | UK (CAMBRIDGE) | coordinator | 1˙496˙345.00 |
2 | UNIVERSITY OF BRISTOL | UK (BRISTOL) | participant | 0.00 |
This research project aims to enlarge substantially our understanding of the dialogue between 19th-century music and natural science. It examines in particular how a scientific-materialist conception of sound was formed alongside a dominant culture of romantic idealism. Placing itself at the intersection of historical musicology and the history and philosophy of science, the project will investigate the view that musical sound, ostensibly the property of metaphysics, was also regarded by writers, composers, scientists and engineers as tangible, material and subject to physical laws; that scientific thinking was not anathema but—at key moments—intrinsic to music aesthetics and criticism; that philosophies of mind and theories of the creative process also drew on mechanical rules of causality and associative ‘laws’; and that the technological innovations brought about by scientific research—from steam trains to stethoscopes—were accompanied by new concepts and new ways of listening that radically impacted the sound world of composers, critics, and performers. It seeks, in short, to uncover for the first time a fully integrated view of the musical and scientific culture of the 19th century. The research will be broken down into four areas, each of which circumscribes a particular set of discourses: machines and mechanism; forms of nature; technologies for sound; and music medicalised. Drawing on a range of archival and printed sources in Great Britain, France and Germany, the project offers an innovative approach by examining historical soundscapes and new listening practices, by adopting a media perspective on scientific and musical instruments, and by investigating the interrelations between artistic sounds and non-artistic, industrial technologies. The cross-disciplinary research, divided between the PI and four postdoctoral scholars, will open up new interactions between music and materialism as a concealed site of knowledge and historically significant nexus.
year | authors and title | journal | last update |
---|---|---|---|
2019 |
David Trippett and Benjamin Walton Nineteenth-Century Opera and the Scientific Imagination published pages: , ISSN: , DOI: |
Nineteenth-Century Opera and the Scientific Imagination | 2020-04-06 |
2015 |
D. Trippett Exercising Musical Minds: Phrenology and Music Pedagogy in London circa 1830 published pages: 99-124, ISSN: 0148-2076, DOI: 10.1525/ncm.2015.39.2.99 |
19th-Century Music 39/2 | 2020-04-06 |
2020 |
David Trippett Wagner’s Sound Effects: Bells, Cannon and the Perception of Heavy sound published pages: , ISSN: , DOI: |
Sonorous Sublimes | 2020-04-06 |
2019 |
Melissa van Drie Refaçonner l’oreille, prendre en main la voix: le comédien et le phonographe published pages: , ISSN: , DOI: |
Le comédien et l’objet technique | 2020-04-06 |
2017 |
David Trippett Music and the Transhuman Ear: Ultrasonics, Material Bodies, and the Limits of Sensation published pages: 199-261, ISSN: 0027-4631, DOI: 10.1093/musqtl/gdy001 |
The Musical Quarterly 100/2 | 2020-04-06 |
2018 |
David Trippett An Uncrossable Rubicon: Liszt’s Sardanapalo Revisited published pages: 361-432, ISSN: 0269-0403, DOI: 10.1080/02690403.2018.1507120 |
Journal of the Royal Musical Association 143/2 | 2020-04-06 |
2019 |
David Trippett Posthumanism and the Generation of Empathy published pages: , ISSN: , DOI: |
Cambridge Companion to Music in Digital Culture | 2020-04-06 |
2019 |
Edward Gillin and Crosby Smith The Tools of Trinity: mathematics and the experimental sciences at Trinity College, 1850-1914 published pages: 1-31, ISSN: , DOI: |
History of Trinity College Cambridge | 2020-04-06 |
2020 |
David Trippett Wagner’s Ring in Operatic and Literary History published pages: 1-31, ISSN: , DOI: |
Cambridge Companion to Wagner\'s _Ring_ Cycle | 2020-04-06 |
2019 |
Melissa van Drie and Anna Harris The stethoscope goes digital: Learning through attention, distraction and distortion’ published pages: , ISSN: 0016-9161, DOI: |
Swiss Journal of the History of Medicine and Sciences | 2020-04-06 |
2017 |
David Trippett Towards a Materialist History of Music: Histories of Sensation published pages: Online, no pages, ISSN: , DOI: |
Franklin Institute of Humanities, Duke University Non-periodic | 2020-04-06 |
2019 |
Melissa van Drie and Anna Harris Staging the electronic and digital stethoscope in medical education: a historic and ethnographic juxtaposition of pedagogic performances published pages: , ISSN: 0040-165X, DOI: |
Technology and Culture (under review) | 2020-04-06 |
2019 |
David Trippett From Distant Sounds to Aeolian Ears: Erst Kapp\'s Auditory Prosthesis published pages: , ISSN: , DOI: |
19th-Century Opera and the Scientific Imagination | 2020-04-06 |
2019 |
Melle Kromhaut \'I Hear a New World.\' Moon Metaphors and Media Music.\' published pages: , ISSN: , DOI: |
Excavating Media | 2020-04-06 |
2017 |
Edward J Gillin Science on the Niger: Ventilation and Tropical Disease during the 1841 Niger Expedition published pages: , ISSN: 0951-631X, DOI: 10.1093/shm/hkx073 |
Social History of Medicine | 2020-04-06 |
2019 |
Nicholas Cook, Monique Ingalls, David Trippett The Cambridge Companion to Music in Digital Culture published pages: , ISSN: , DOI: |
The Cambridge Companion to Music in Digital Culture | 2020-04-06 |
2018 |
Edward J. Gillin The Parliament that Science Built: Credibility, Architecture, and Britain’s Palace of Westminster published pages: , ISSN: 0160-9327, DOI: 10.1016/j.endeavour.2018.07.005 |
Endeavour | 2020-04-06 |
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