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BWBN SIGNED

Black Women/Black Nationalism – Feminist Discourses on Nation-building in American and British Literature and Visual Arts

Total Cost €

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EC-Contrib. €

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Partnership

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 BWBN project word cloud

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world    became    narratives    validating    continuation    fruition    limited    civil    transatlantic    expression    rituals    female    movement    uk    people    articulated    ultimately    validate    contribution    came    identity    rice    visual    feminism    propelled    1960s    polemical    argue    veneration    pose    aftermath    reflected    period    provides    aesthetic    saw    cultural    light    decades    women    possessing    empowering    host    subjectivity    played    nationalism    my    positions    sensibilities    prof    counter    artworks    feminist    symbols    lubaina    renaissance    central    postcolonial    artists    black    productive    pivotal    ideal    contemporary    flowering    literature    british    politics    uclan    culture    movements    class    american    turned    created    strove    founder    intersection    himid    70s    struggles    90s    usually    ideas    indigenous    strategy    talent    arts    goals    followed    african    forms    1980s    interaction    rights    scholarship    bcn    formulation   

Project "BWBN" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITY OF CENTRAL LANCASHIRE 

Organization address
address: -
city: PRESTON
postcode: PR1 2HE
website: www.uclan.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Project website http://ibaruclan.com/black-women-black-nationalism-eu-horizon-2020-research-project/
 Total cost 195˙454 €
 EC max contribution 195˙454 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2015
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2016
 Duration (year-month-day) from 2016-08-01   to  2018-07-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITY OF CENTRAL LANCASHIRE UK (PRESTON) coordinator 195˙454.00

Map

 Project objective

My research aims to make a significant contribution to the scholarship on contemporary Black women artists in the US & the UK. It will pose a polemical formulation of Black feminist literature and visual arts of the 1980s and 90s in light of postcolonial scholarship. These two decades saw a flowering of talent of Black British and American women: in the US they are described as Black Women’s Renaissance and in the UK as Black Arts Movement. Both movements came to fruition in the aftermath of civil rights and feminist struggles of black people in the US and UK. This project will investigate how the work of African American and Black British female artists reflected interaction and intersection of cultural nationalism and black feminism. It will demonstrate that feminist narratives and artworks of that period, usually not associated with black cultural nationalism, played a pivotal role in the continuation of indigenous cultural politics of Black cultural nationalism, which came to being in the 1960s and 70s in the US. During that period African American art strove to validate black culture as a culture possessing its own ideas and forms of aesthetic expression. The cause of BCN was propelled through the veneration of Black values, sensibilities, symbols, and rituals, which, as this project will argue, became also central to the identity politics of the artists of Black Women Renaissance and Black Arts Movement in the decades that followed. My project will demonstrate that this strategy of validating black culture, which was so empowering in the 1960s and 70s, ultimately turned to be counter-productive for the goals of black feminism, as it created a limited number of positions from which black women’s subjectivity could be articulated. UCLan with its world-class researchers in transatlantic studies (i.e. Prof. Rice) and Black Arts and black feminism (i.e. Prof. Lubaina Himid, a founder of Black Arts Movement) provides an ideal host institution.

 Publications

year authors and title journal last update
List of publications.
2019 Izabella Penier
The Body as a Palimpsest. Stor(y)ing Memories in Michelle Cliff ‘Clare Savage novels’ and Gayle Jones’s Corregidora
published pages: , ISSN: , DOI:
Cultural Palimpsests: Ethnic Watermarks, Surfacing Histories 2019-05-29
2019 Izabella Penier
Black Women – Black Nationalism: Feminist Discourses on Nation Building
published pages: , ISSN: , DOI:
2019-05-29
2019 Izabella Penier
Pitfalls of Memorialisation: ‘Culture Bearing Black Women’ and African American Cultural Nationalism
published pages: , ISSN: , DOI:
2019-05-29

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