Explore the words cloud of the ImAc project. It provides you a very rough idea of what is the project "ImAc" about.
The following table provides information about the project.
Coordinator |
FUNDACIO PRIVADA I2CAT, INTERNET I INNOVACIO DIGITAL A CATALUNYA
Organization address contact info |
Coordinator Country | Spain [ES] |
Project website | http://www.imac-project.eu |
Total cost | 2˙941˙015 € |
EC max contribution | 2˙682˙227 € (91%) |
Programme |
1. H2020-EU.2.1.1. (INDUSTRIAL LEADERSHIP - Leadership in enabling and industrial technologies - Information and Communication Technologies (ICT)) |
Code Call | H2020-ICT-2016-2 |
Funding Scheme | IA |
Starting year | 2017 |
Duration (year-month-day) | from 2017-10-01 to 2020-03-31 |
Take a look of project's partnership.
# | ||||
---|---|---|---|---|
1 | FUNDACIO PRIVADA I2CAT, INTERNET I INNOVACIO DIGITAL A CATALUNYA | ES (BARCELONA) | coordinator | 469˙937.00 |
2 | INSTITUT FUR RUNDFUNKTECHNIK GMBH | DE (MUNCHEN) | participant | 503˙750.00 |
3 | RUNDFUNK BERLIN-BRANDENBURG | DE (BERLIN) | participant | 399˙875.00 |
4 | UNIVERSIDAD AUTONOMA DE BARCELONA | ES (CERDANYOLA DEL VALLES) | participant | 329˙500.00 |
5 | CORPORACIO CATALANA DE MITJANS AUDIOVISUALS SA | ES (SANT JOAN DESPI BARCELONA) | participant | 241˙062.00 |
6 | ANGLATECNIC SL | ES (BARCELONA) | participant | 225˙837.00 |
7 | THE UNIVERSITY OF SALFORD | UK (SALFORD) | participant | 205˙452.00 |
8 | ROYAL NATIONAL INSTITUTE OF THE BLIND | UK (LONDON) | participant | 169˙875.00 |
9 | MOTION SPELL | FR (PARIS) | participant | 136˙937.00 |
Advances in technology have led to the availability of consumer Head Mounted Displays and the availability of 360° cameras for capturing immersive content. This has enabled broadcasters to explore new experiences, where narrative and content can be delivered with a heightened sense of presence and engagement, regardless of whether the user is fully immersed, using multiple screens, or via traditional television. Exploitation of these technologies is still in its infancy and innovators are producing ground-breaking content for early adopters. With any new technology it is essential to consider accessibility especially in Europe, where e-inclusion is a priority of the EC and the Single Digital Market. Doing so ensures that the narrative is coherent across languages, ages and abilities, and ensures compliance with regulatory guidelines.
The goal of Immersive Accessibility (ImAc) is to explore how accessibility services can be integrated with immersive media. It is not acceptable that accessibility is regarded as an afterthought: rather it should be considered throughout the design, production and delivery process. ImAc will explore new deployment methods for these services (Subtitles, Audio Description, Audio Subtitling, Sign Language) in immersive environments. We will move away from the constraints of the current technology, into a Hyper-Personalized environment where the consumer can fully customize the experience to meet his personal needs. For example, it may be more appropriate for subtitles to be read out-loud or the Audio Description presented as text. The key action in ImAc will be to ensure immersive experiences are inclusive across different languages, addressing the needs of those with hearing and low vision problems, learning difficulties and the aged. We also foresee these services consumed by a wider audience, for personal convenience, learning language and language therapy - accessible content can add significant value to these related areas.
Consortium operating procedures | Documents, reports | 2020-01-31 16:49:54 |
Operational public website with logo | Websites, patent fillings, videos etc. | 2020-01-31 16:49:54 |
Take a look to the deliverables list in detail: detailed list of ImAc deliverables.
year | authors and title | journal | last update |
---|---|---|---|
2020 |
Mario Montagud, Pilar Orero, Anna Matamala Culture 4 all: accessibility-enabled cultural experiences through immersive VR360 content published pages: , ISSN: 1617-4909, DOI: 10.1007/s00779-019-01357-3 |
Personal and Ubiquitous Computing | 2020-03-24 |
2019 |
Anita Fidyka, Anna Matamala Production of access services in immersive content: understanding the needs of audio describers published pages: 277-300, ISSN: 2445-4559, DOI: 10.21071/hikma.v18i2.11683 |
Hikma 18/2 | 2020-03-24 |
2019 |
Montagud, Mario Challenges and technological solutions to provide accessibility services in immersive media environments published pages: , ISSN: 2072-8581, DOI: |
EuroScientist | 2020-03-23 |
2019 |
Orero, Pilar; Paton, John Audio description in immersive environments published pages: , ISSN: , DOI: 10.5281/zenodo.3708037 |
8th Media for All International Conference 2 | 2020-03-23 |
2018 |
M. Montagud, P. Orero, J. A. Núñez, A. Matamala, S. Fernández ImAc : enabling immersive and accessible media services published pages: , ISSN: , DOI: |
WoRLD: Workshop on Reading, Language and Deafness | 2020-03-24 |
2018 |
Pilar Orero and Anna Matamala Making immersive media environments accessible : the ImAc Project published pages: 75-78, ISSN: , DOI: |
Proceedings from the BFC Conference 2018 | 2020-01-31 |
2017 |
Agulló, Belen; Orero, Pilar 3D Movie Subtitling: Searching for the best viewing experience published pages: 91-101, ISSN: 2531-9809, DOI: 10.5281/zenodo.1169296 |
Studies on Communication and Linguistic and Cultural Mediation 2 91-101 8 | 2020-01-31 |
2019 |
Belén Agulló, Anna Matamala Subtitling for the deaf and hard-of-hearing in immersive environments : results from a focus group published pages: , ISSN: 1740-357X, DOI: |
JoSTrans: Journal of Specialised Translation | 2020-01-31 |
2018 |
Isaac Fraile, David GoÌmez, Juan A. NuÌñez, Mario Montagud, Sergi FernaÌndez Personalized and Immersive Presentation of Video, Audio and Subtitles in 360o Environments: An Opera Use Case published pages: , ISSN: , DOI: 10.6084/m9.figshare.6527531.v1 |
ACM TVX2018 | 2020-01-31 |
2018 |
Anna Matamala, Pilar Orero Standardising accessibility : transferring knowledge to society published pages: 139-154, ISSN: 2617-9148, DOI: |
Journal of Audiovisual Translation | 2020-01-31 |
2019 |
Irene Tor-Carroggio, Pilar Orero User profiling in audio description reception studies : questionnaires for all published pages: , ISSN: 1827-000X, DOI: |
InTRAlinea. Online Translation Journal | 2020-01-31 |
2019 |
Marta Bosch-Baliarda, Olga Soler Vilageliu, Pilar Orero Toward a Sign Language-Friendly Questionnaire Design published pages: , ISSN: 1081-4159, DOI: 10.1093/deafed/enz021 |
The Journal of Deaf Studies and Deaf Education | 2020-01-31 |
2018 |
Anita Fidyka, Anna Matamala Audio description in 360º videos published pages: 285-303, ISSN: 2211-3711, DOI: 10.1075/ts.18018.fid |
Translation Spaces 7/2 | 2020-01-31 |
2020 |
Agulló, Belén; Montagud, Mario; Fraile, Isaac Making interaction with virtual reality accessible : rendering and guiding methods for subtitles published pages: , ISSN: 0890-0604, DOI: |
AI EDAM (Artificial Intelligence for Engineering Design, Analysis and Manufacturing) 1 | 2020-01-31 |
2019 |
Mario Montagut, Isaac Fraile, Einar Meyerson, MarÃa GenÃs, Sergi fernandez ImAc Player: Enabling a Personalized Consumption of Accessible Immersive Contents published pages: , ISSN: , DOI: |
The Adjunct Proceedings of ACM TVX2019 | 2020-01-31 |
2018 |
Belén Agulló, Anna Matamala, Pilar Orero From Disabilities to Capabilities: testing subtitles in immersive environments with end users published pages: 195-220, ISSN: 2445-4559, DOI: 10.21071/hikma.v17i0.11167 |
Hikma 17 | 2020-01-31 |
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The information about "IMAC" are provided by the European Opendata Portal: CORDIS opendata.