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TACOMO SIGNED

Transatlantic Cowgirl Mobilities and the Western Show

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

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 TACOMO project word cloud

Explore the words cloud of the TACOMO project. It provides you a very rough idea of what is the project "TACOMO" about.

action    globe    womanhood    created    roping    closes    women    transnational    america    frontier    takes    cowboydom    cowgirls    imagine    trick    figure    acts    imperial    gender    sharpshooting    west    mobile    diachronic    persons    perspectives    innovative    first    relevance    completes    dialogue    popular    century    turn    travelling    canada    explores    naturally    narratives    culture    gap    host    experiment    questions    mobilities    resonate    reception    edge    visual    myth    american    academia    continental    fantasies    male    essentially    bill    cowgirldom    buffalo    adventure    performance    north    roles    costume    roam    cowboys    figures    legacy    objects    prairies    female    commentary    day    ideas    theorizes    mobility    look    20th    tacomo    critical    interact    cultural    presented    cultures    revise    gendered    people    cutting    performers    researcher    behavior    appeal    inquiry    special    riding    transatlantically    newspaper    wild    white    shows    scholarly    did    germany    world    cowboy    western    audiences    advertising    norms    embody    austria   

Project "TACOMO" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITAT WIEN 

Organization address
address: UNIVERSITATSRING 1
city: WIEN
postcode: 1010
website: www.univie.ac.at

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Austria [AT]
 Total cost 186˙167 €
 EC max contribution 186˙167 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2018
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2020
 Duration (year-month-day) from 2020-09-01   to  2022-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITAT WIEN AT (WIEN) coordinator 186˙167.00

Map

 Project objective

Cowboys are known all over the world. They embody fantasies of mobility and adventure in the North American West to people around the globe. And naturally, we imagine cowboys as white and male figures who roam the prairies. The innovative action TACOMO takes a new look at cowboydom: It shows how cowGIRLS produce and revise cowboy gender norms in transnational cultural mobilities. Travelling with Buffalo Bill’s Wild West Show to Germany and Austria at the turn of the 20th century, female performers presented show acts such as trick riding, roping, and sharpshooting. Their acts addressed narratives of the frontier, American womanhood, and the gender norms of their European audiences, both through their performance (dialogue, costume, behavior) and its reception (newspaper commentary, advertising). TACOMO’s objective is to show that the gendered myth of the Wild West was created transatlantically in North America and in Europe. It explores three research questions: first, how did women performers experiment on the cowboy figure at Wild West Shows? Second, how did US cowgirldom interact with continental imperial gender roles? And third, how does their legacy resonate with present-day popular Western cultures in the US, Canada, Austria, and Germany? The action completes the researcher’s previous findings about female cowboys. It theorizes their performance through cutting edge fields of inquiry from Popular and Visual Culture, Mobility Studies and Transnational North American Studies, and it closes a gap in scholarly research on the myth of the American West. TACOMO’s special relevance to the H2020 program includes, first, a strong gender aspect in the diachronic research topic and in the researcher’s and the host’s gender-critical perspectives on academia; second, an appeal to general interest through its popular culture focus; and third, an understanding of culture as essentially mobile and produced in the travelling of ideas, persons, and objects between cultures.

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The information about "TACOMO" are provided by the European Opendata Portal: CORDIS opendata.

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