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TACOMO SIGNED

Transatlantic Cowgirl Mobilities and the Western Show

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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 TACOMO project word cloud

Explore the words cloud of the TACOMO project. It provides you a very rough idea of what is the project "TACOMO" about.

revise    cutting    roam    look    visual    sharpshooting    gendered    gender    cultures    imperial    shows    gap    bill    persons    critical    tacomo    west    austria    male    20th    womanhood    academia    adventure    cowgirldom    performers    cowboydom    created    essentially    germany    riding    turn    legacy    western    transnational    wild    dialogue    mobility    acts    day    scholarly    white    figure    popular    embody    figures    american    reception    canada    diachronic    imagine    people    first    special    completes    mobile    century    world    globe    cowboy    resonate    costume    continental    mobilities    appeal    narratives    newspaper    researcher    presented    questions    prairies    norms    women    takes    explores    experiment    closes    theorizes    frontier    roping    america    action    culture    edge    commentary    host    cowboys    fantasies    objects    myth    buffalo    performance    travelling    naturally    perspectives    behavior    inquiry    north    trick    cowgirls    advertising    roles    transatlantically    female    innovative    did    ideas    relevance    cultural    audiences    interact   

Project "TACOMO" data sheet

The following table provides information about the project.

Coordinator
UNIVERSITAT WIEN 

Organization address
address: UNIVERSITATSRING 1
city: WIEN
postcode: 1010
website: www.univie.ac.at

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Austria [AT]
 Total cost 186˙167 €
 EC max contribution 186˙167 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2018
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2020
 Duration (year-month-day) from 2020-09-01   to  2022-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    UNIVERSITAT WIEN AT (WIEN) coordinator 186˙167.00

Map

 Project objective

Cowboys are known all over the world. They embody fantasies of mobility and adventure in the North American West to people around the globe. And naturally, we imagine cowboys as white and male figures who roam the prairies. The innovative action TACOMO takes a new look at cowboydom: It shows how cowGIRLS produce and revise cowboy gender norms in transnational cultural mobilities. Travelling with Buffalo Bill’s Wild West Show to Germany and Austria at the turn of the 20th century, female performers presented show acts such as trick riding, roping, and sharpshooting. Their acts addressed narratives of the frontier, American womanhood, and the gender norms of their European audiences, both through their performance (dialogue, costume, behavior) and its reception (newspaper commentary, advertising). TACOMO’s objective is to show that the gendered myth of the Wild West was created transatlantically in North America and in Europe. It explores three research questions: first, how did women performers experiment on the cowboy figure at Wild West Shows? Second, how did US cowgirldom interact with continental imperial gender roles? And third, how does their legacy resonate with present-day popular Western cultures in the US, Canada, Austria, and Germany? The action completes the researcher’s previous findings about female cowboys. It theorizes their performance through cutting edge fields of inquiry from Popular and Visual Culture, Mobility Studies and Transnational North American Studies, and it closes a gap in scholarly research on the myth of the American West. TACOMO’s special relevance to the H2020 program includes, first, a strong gender aspect in the diachronic research topic and in the researcher’s and the host’s gender-critical perspectives on academia; second, an appeal to general interest through its popular culture focus; and third, an understanding of culture as essentially mobile and produced in the travelling of ideas, persons, and objects between cultures.

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The information about "TACOMO" are provided by the European Opendata Portal: CORDIS opendata.

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