XIMENES

"Art, Natural Science, Local History, and the New World in Counter-Reformation Antwerp: The Collection of the Portuguese Merchant-Banker Manuel Ximenes (1564-1632)."

Coordinatore	UNIVERSITAET BERN    more  Organization address address: Hochschulstrasse 4 city: BERN postcode: 3012 contact info Titolo: Ms. Nome: Maddalena Cognome: Tognola Email: send email Telefono: -6314799 Fax: -6315096
Nazionalità Coordinatore	Switzerland [CH]
Totale costo	100˙000 €
EC contributo	100˙000 €
Programma	FP7-PEOPLE Specific programme "People" implementing the Seventh Framework Programme of the European Community for research, technological development and demonstration activities (2007 to 2013)
Code Call	FP7-PEOPLE-2009-RG
Funding Scheme	MC-IRG
Anno di inizio	2010
Periodo (anno-mese-giorno)	2010-07-01   -   2014-06-30

 Partecipanti

#	participant	country	role	EC contrib. [€]
1	UNIVERSITAET BERN  Organization address address: Hochschulstrasse 4 city: BERN postcode: 3012 contact info Titolo: Ms. Nome: Maddalena Cognome: Tognola Email: send email Telefono: -6314799 Fax: -6315096	CH (BERN)	coordinator	100˙000.00

Mappa

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 Obiettivo del progetto (Objective)

'In early modern Europe, the collections of elite individuals were important sites to produce, exchange, and display knowledge. The reference point for my study is one of the most splendid collections of early 17th-c. Antwerp, that of the Portuguese merchant-banker Manuel Ximenes (1564-1632), praised by his contemporaries for his ‘universal knowledge of the sciences’. This is the first study of a collection of a converso merchant-banker whose family was intimately involved in Antwerp’s global trade. I argue that the various sites of display in Ximenes’ palace define a courtly cosmos of science, medicine, religion, and art as well as reflect a culture of patronage, friendship, and kinship, which lay at the very center of early modern science and global trade. This is a by definition transdisciplinary project, one that takes seriously the multiple spheres of knowledge within which artful objects and art works were viewed – spheres that themselves were shaped by the emergence of the visual. It will shed new light on the interrelationships between art, science, and religion in times of religious and political change, advance our knowledge of patronage activities of wealthy foreigners, and broaden our understanding of the early modern material culture of science and art.'