Explore the words cloud of the Film Tourism project. It provides you a very rough idea of what is the project "Film Tourism" about.
The following table provides information about the project.
Coordinator |
ERASMUS UNIVERSITEIT ROTTERDAM
Organization address contact info |
Coordinator Country | Netherlands [NL] |
Project website | http://worldsofimagination.eu |
Total cost | 1˙908˙986 € |
EC max contribution | 1˙908˙986 € (100%) |
Programme |
1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC)) |
Code Call | ERC-2015-CoG |
Funding Scheme | ERC-COG |
Starting year | 2016 |
Duration (year-month-day) | from 2016-09-01 to 2021-08-31 |
Take a look of project's partnership.
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1 | ERASMUS UNIVERSITEIT ROTTERDAM | NL (ROTTERDAM) | coordinator | 1˙908˙986.00 |
This research project focuses on film tourism: the phenomenon of people visiting locations from popular films or TV series. Recent years have seen a dramatic, worldwide increase of this type of tourism, with far-reaching implications for the experience and organization of landscapes. While the number of empirical studies on film tourism is growing, most have been limited to isolated, Western examples. This Western focus tends to overlook the fact that the face of the media industry as well as the tourism industry has been changing rapidly on a global scale.
In order to take the next step and move this field of research to a higher level, a more comparative and cross-case approach is essential. This project aims to do so, by exploring more generic processes and relationships of power involved in the development and experience of film tourism worldwide. The principal question underlying this project is: why, under what conditions and in which ways do films and TV series give rise to new and diverse tourism flows across the globe? This question is addressed by analysing and comparing film tourism in five geographically and culturally different contexts: South Korea, Brazil, United Kingdom, Jamaica and India. These cases will be subjected to the same lines of inquiry, focusing on 1) the visual traditions in the local media cultures; 2) the effect of local policies aimed at developing film tourism; 3) the commonalities and differences in motives and experiences of film tourists with diverse backgrounds.
This project is ground-breaking in at least three ways: 1) its international and comparative approach delivers a fundamental contribution to a growing but fragmented field of investigation; 2) it will deliver a theorization of the role and importance of imagination in everyday life, based on an elaboration of the concept lieux d’imagination; 3) methodologically, the project is located on the cutting edges of the humanities and social sciences and applies new methods.
year | authors and title | journal | last update |
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2020 |
Apoorva Nanjangud Cinematic Itineraries and Identities: A study of Bollywoodized Imaginations of India Amongst the Dutch- Hindustani Community and its Influence on their Travel Decisions to India (PREPARING FOR SUBMISSION, PUBLICATION EXPECTED 2020) published pages: , ISSN: 1367-5494, DOI: |
European Journal of Cultural Studies | 2019-07-25 |
2020 |
Stijn Reijnders, Abby Waysdorf, Leonieke Bolderman and Nicky van Es Introduction (UNDER REVIEW, PUBLICATION EXPECTED 2020) published pages: , ISSN: , DOI: |
Locating Imagination: Place, Tourism and Belonging. N. van Es, A. Waysdorf, L. Bolderman & S. Reijnders (Eds.) | 2019-07-25 |
2019 |
Emiel Martens From The Harder They Come to Yardie: The Ghetto-Reggae Aesthetics of Jamaican Urban Crime Films. (ACCEPTED FOR PUBLICATION. PUBLICATION EXPECTED IN 2019) published pages: , ISSN: 1369-801X, DOI: |
Interventions: International Journal of Postcolonial Studies Special Issue on ‘Representin | 2019-07-25 |
2019 |
Apoorva Nanjangud Bollywood Tourism in Japan: Current Challenges, Potential Directions published pages: 1-11, ISSN: , DOI: |
International Journal of Contents Tourism Volume 4 | 2019-07-25 |
2019 |
Emiel Martens Towards a Small Island State Film Tourism Industry? The Making of Film Location Policy in Jamaica, 1948-2018. (ACCEPTED FOR PUBLICATION. PUBLICATION EXPECTED IN 2019). published pages: , ISSN: 1540-5931, DOI: |
The Journal of Popular Culture Special Issue on ‘Popular Cul | 2019-07-25 |
2019 |
Débora Póvoa, Stijn Reijnders & Emiel Martens Do They Love the Favela? Challenges of Location Filming and Telenovela Tourism in the Brazilian Favelas.(ACCEPTED FOR PUBLICATION. PUBLICATION EXPECTED IN 2019). published pages: , ISSN: 1540-5931, DOI: |
The Journal of Popular Culture Special Issue on ‘Popular Cul | 2019-07-25 |
2018 |
Emiel Martens, Camila Malig Jedlicki The Palgrave Handbook of Contemporary Heritage Research published pages: 1-2, ISSN: 2159-032X, DOI: 10.1080/2159032x.2018.1451273 |
Heritage & Society | 2019-07-25 |
2017 |
Débora Póvoa From the Shadow to the Map: Visualizing Rio de Janeiro’s Favelas published pages: 167, ISSN: 0924-0608, DOI: 10.18352/erlacs.10243 |
ERLACS 0/103 | 2019-07-25 |
2018 |
Apoorva Nanjangud Postcard: Tokyo Tower published pages: , ISSN: , DOI: |
International Journal of Contents Tourism 13 June, 2018 | 2019-07-25 |
2019 |
Emiel Martens, Wouter Oomen and Anna Piccoli The Neoliberal Workings of ‘The Family Meal’ Campaign: Unfortunate Others, European Citizens, and the Branding of the EU (ACCEPTED FOR PUBLICATION. PUBLICATION EXPECTED IN 2019) published pages: , ISSN: 1367-5494, DOI: |
European Journal of Cultural Studies | 2019-07-25 |
2018 |
Emiel Martens The History of Film and Tourism in Jamaica. published pages: , ISSN: , DOI: |
Reshaping (G)local Dynamics of the Caribbean. Eds. Anja Bandau, Anne Brüske and Natascha Ueckmann | 2019-07-25 |
2017 |
Emiel Martens, Débora Póvoa How to Get Away with Color: Color-Blindness and the Post-Racial Illusion in Popular American Television Series. published pages: 117-134, ISSN: 2009-4078, DOI: |
Alphaville: Journal of Film and Screen Media Volume 13. Special Issue on ‘ | 2019-07-25 |
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The information about "FILM TOURISM" are provided by the European Opendata Portal: CORDIS opendata.