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IRiMaS SIGNED

Interactive Research in Music as Sound:Transforming Digital Musicology

Total Cost €

EC-Contrib. €

Partnership

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IRiMaS project word cloud

Explore the words cloud of the IRiMaS project. It provides you a very rough idea of what is the project "IRiMaS" about.

pi transform modes spectralism models dynamic interaction musicological software pioneer creative folk contemporary appropriate age unlike ground textual fundamental backgrounds discussing songs free presenting performance improvisation facilitates extract incorporates tools central realize musicology building adoption distributed proposes significance investigations brings breaking primarily outcomes substantial engage made data integral irimas transient ethnomusicology bias engagement interactive correspondingly packages enhanced moving ways assist musical temporal aural music digital nature skills revolutionizing fixed tracking context strategies prioritizing form conceptual articles sound quantized expertise

Project "IRiMaS" data sheet

The following table provides information about the project.

Coordinator	UNIVERSITY OF HUDDERSFIELD Organization address address: QUEENSGATE city: HUDDERSFIELD postcode: HD1 3DH website: www.hud.ac.uk contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.
Coordinator Country	United Kingdom [UK]
Total cost	2˙471˙416 €
EC max contribution	2˙471˙416 € (100%)
Programme	1. H2020-EU.1.1. (EXCELLENT SCIENCE - European Research Council (ERC))
Code Call	ERC-2016-ADG
Funding Scheme	ERC-ADG
Starting year	2017
Duration (year-month-day)	from 2017-10-01 to 2022-09-30

Partnership

Take a look of project's partnership.

#	participants	country	role	EC contrib. [€]
1	UNIVERSITY OF HUDDERSFIELD UNIVERSITY OF HUDDERSFIELD Organization address address: QUEENSGATE city: HUDDERSFIELD postcode: HD1 3DH website: www.hud.ac.uk contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.	UK (HUDDERSFIELD)	coordinator	2˙215˙331.00
2	UNIVERSITY COLLEGE CORK - NATIONAL UNIVERSITY OF IRELAND, CORK UNIVERSITY COLLEGE CORK - NATIONAL UNIVERSITY OF IRELAND, CORK Organization address address: WESTERN ROAD city: Cork postcode: T12 YN60 website: www.ucc.ie contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.	IE (Cork)	participant	115˙496.00
3	BATH SPA UNIVERSITY BATH SPA UNIVERSITY Organization address address: NEWTON ST LOE NEWTON PARK city: BATH postcode: BA29BN website: n.a. contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.	UK (BATH)	participant	81˙715.00
4	INSTITUT DE RECHERCHE ET DE COORDINATION ACOUSTIQUE MUSIQUE - IRCAM INSTITUT DE RECHERCHE ET DE COORDINATION ACOUSTIQUE MUSIQUE - IRCAM Organization address address: RUE SAINT MERRI 31 city: PARIS postcode: 75004 website: http://shf.ircam.fr/ contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.	FR (PARIS)	participant	58˙874.00

Map

Project objective

In an age when technology is revolutionizing the ways in which music is made and distributed, this project proposes correspondingly to transform approaches to musicology, moving from a primarily fixed, text-based approach to one that incorporates as an integral feature the interactive and aural. It brings skills and expertise from music technology to assist in the development of research strategies and software to enable musicological research to engage more directly with sound. It will pioneer a ground-breaking approach to music research in which dynamic interaction with sound is fundamental and music’s temporal and transient nature are central to research investigations and their dissemination, presenting a significant conceptual challenge to the traditional textual bias of much musical research and leading to new enhanced modes of musicological knowledge. Unlike current Digital Musicology, rather than using software primarily to extract quantized data, IRiMaS facilitates research through dynamic interactive engagement with sound. The interactive approach will be developed in the context of three Case Studies in specific areas where prioritizing the aural is of particular significance. The Case Studies will focus on Spectralism in the field of Contemporary ‘Art’ Music; Tracking the Creative Process in Free Improvisation; and Folk Songs in Performance in the field of Ethnomusicology. Each study will produce substantial ground-breaking musicological outcomes in the form of software packages (as is appropriate to the nature of the project) and associated articles discussing the approach taken. They will also assist in working towards the development of models and generic tools to help establish the wider adoption of this interactive approach. Building on the PI's previous experience in related areas, researchers from musicological and technical backgrounds will come together to help realize these ambitious aims.

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The information about "IRIMAS" are provided by the European Opendata Portal: CORDIS opendata.