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POMOC SIGNED

Charles IV and the power of marvellous objects

Total Cost €

0

EC-Contrib. €

0

Partnership

0

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Project "POMOC" data sheet

The following table provides information about the project.

Coordinator
THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD 

Organization address
address: WELLINGTON SQUARE UNIVERSITY OFFICES
city: OXFORD
postcode: OX1 2JD
website: www.ox.ac.uk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country United Kingdom [UK]
 Total cost 146˙591 €
 EC max contribution 146˙591 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2017
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2019
 Duration (year-month-day) from 2019-02-04   to  2020-08-03

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD UK (OXFORD) coordinator 146˙591.00

Map

 Project objective

The present study aims to investigate from a new perspective the collecting activities of Charles IV, king of Bohemia (1347-70), king of Romans (1346-78), and Holy Roman Emperor (1355-70). It proposes to go beyond narratives based on the nation-state and western-oriented research concepts, thereby renovating historical and artistic connections that national historiographies have obfuscated. In doing so, it will frame the topic trans-nationally. Rather than writing a large-scale synthesis based mainly on secondary sources, this research objective will be achieved by using a micro-historical approach focusing on a specific group of reused objects that are associated with Charles IV. At the centre of the project are Charles IV and the precious objects of diverse provenance which he acquired, assembled and commissioned to be adjusted. Being removed from the cultural context for which they were originally made and which determined their social values, the objects underwent, in different social and cultural contexts, transformation and subsequently integration with the new audience. They created multiple connections with the past and contributed significantly to the construction of the imperial self-image of Charles IV who was not only one of the most capable and effective rulers whom Europe had ever seen but also one of the greatest 'collectors' since the period of Classical antiquity.

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