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MigrEnAb SIGNED

Encoding, Absorption and Abandonment of Cultural Material during Migration: : The Case of Judeo-Spanish Songbooks

Total Cost €

0

EC-Contrib. €

0

Partnership

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 MigrEnAb project word cloud

Explore the words cloud of the MigrEnAb project. It provides you a very rough idea of what is the project "MigrEnAb" about.

cultural    identity    regarding    created    unchanged    core    elucidate    africa    women    positioned    absorbed    scholarship    mobile    dynamically    empire    judeo    contrafacta    innovators    opposing    regionalism    basis    inclusive    content    north    plays    analyze    symbolic    centuries    enormous    construction    sought    since    boundaries    references    theory    gibraltar    larger    absorption    basin    certain    patterns    pan    function    encoding    continual    18th    simultaneously    songs    occidental    musical    negotiations    historically    transmission    attempts    breaks    strict    books    porousness    demonstrating    abandonment    seemingly    oriental    preserve    interpenetration    mediterranean    layered    group    codes    ethnomusicological    preservers    served    specificities    absorbing    century    marker    negotiate    manner    sung    cultures    found    songbooks    keeping    multiplicity    orality    centrally    continued    private    descendants    philology    seminal    surroundings    corpus    serve    spanish    minority    protecting    roles    transnational    breaking    individual    speakers    languages    personal    ottoman    ground    remember    objects    reminders    notated    gender    repertoire    untouched    coexist    writers    communities    men    parts    identities    surrounding   

Project "MigrEnAb" data sheet

The following table provides information about the project.

Coordinator
INSTITUT NATIONAL DES LANGUES ET CIVILISATIONS ORIENTALES 

Organization address
address: 65 RUE DES GRANDS MOULINS
city: PARIS
postcode: 75214
website: n.a.

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country France [FR]
 Total cost 196˙707 €
 EC max contribution 196˙707 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2018
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2020
 Duration (year-month-day) from 2020-04-01   to  2022-03-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    INSTITUT NATIONAL DES LANGUES ET CIVILISATIONS ORIENTALES FR (PARIS) coordinator 196˙707.00

Map

 Project objective

Since the 18th century throughout the Mediterranean basin Judeo-Spanish men and women have notated songs they want to remember in personal songbooks. Both Oriental (Ottoman Empire) and Occidental (North Africa & Gibraltar) Judeo-Spanish communities still have an enormous sung repertoire which plays a core function as identity marker. It is also centrally positioned for symbolic roles and gender negotiations. Historically, this repertoire was notated in songbooks which were created both for personal use or for transmission to their descendants. The porousness of repertoire found within these private books which function as objects of orality demonstrate the continued absorption and interpenetration of languages and cultural references during various centuries. Songbooks served as cultural reminders of the layered identities that Judeo-Spanish speakers sought to preserve. While keeping traditional repertoire, the writers of these songbooks simultaneously absorbed important musical elements from their surroundings, demonstrating a multiplicity of cultural codes that coexist dynamically. This continual construction of their seemingly opposing roles as preservers and innovators of repertoire breaks all attempts at strict regionalism, while ensuring that certain traditional specificities remain untouched and unchanged. The scholarship on these songbooks and their content has only been done on an individual basis, focusing on philology or ethnomusicological issues regarding contrafacta. This ground-breaking proposed study will analyze the individual songbooks as parts of a larger pan-Mediterranean corpus of Judeo-Spanish songbooks which negotiate identity transmission in an inclusive manner absorbing elements of the surrounding cultures while protecting the boundaries of the group. Through this study, I propose to elucidate transnational patterns of repertoire encoding, absorption and abandonment which can serve as a seminal theory for other mobile minority communities.

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The information about "MIGRENAB" are provided by the European Opendata Portal: CORDIS opendata.

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