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Elevated Minds. The Sublime in the Public Arts in 17th-century Paris and Amsterdam

Coordinatore	UNIVERSITEIT LEIDEN    more Spiacenti, non ci sono informazioni su questo coordinatore. Contattare Fabio per maggiori infomrazioni, grazie.
Nazionalità Coordinatore	Netherlands [NL]
Totale costo	1˙245˙742 €
EC contributo	1˙245˙742 €
Programma	FP7-IDEAS-ERC Specific programme: "Ideas" implementing the Seventh Framework Programme of the European Community for research, technological development and demonstration activities (2007 to 2013)
Code Call	ERC-2012-StG_20111124
Funding Scheme	ERC-SG
Anno di inizio	2013
Periodo (anno-mese-giorno)	2013-02-01   -   2018-01-31

 Partecipanti

#	participant	country	role	EC contrib. [€]
1	UNIVERSITEIT LEIDEN  Organization address address: RAPENBURG 70 city: LEIDEN postcode: 2300 RA contact info Titolo: Dr. Nome: Stijn Cognome: Bussels Email: send email Telefono: +31 715272166	NL (LEIDEN)	hostInstitution	1˙245˙742.00
2	UNIVERSITEIT LEIDEN  Organization address address: RAPENBURG 70 city: LEIDEN postcode: 2300 RA contact info Titolo: Mrs. Nome: Petra Cognome: Kamer-De Graaf Email: send email Telefono: 31715271621	NL (LEIDEN)	hostInstitution	1˙245˙742.00

Mappa

 Word cloud

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 Obiettivo del progetto (Objective)

'By focussing on how the sublime was used in Amsterdam and Paris in grands travaux and in the theatre and spectacle as part of a strategy to persuade the population of the regime’s legitimacy, this program aims to reconstruct an unknown part of the history of the sublime, and lay the foundation for a study of its role in the visual arts and the theatre of early modern Europe. The hypothesis of this program is that early, often hitherto unknown editions and varieties of the sublime from France and the Dutch Republic should be understood primarily against a political background. Many of these were dedicated to important members of ruling families, made for prominent politicians, or read by the ruling classes. Many poems, plays, spectacle, paintings, buildings and public spaces that were experienced as sublime have clear connections with political issues, in particular with the legitimacy of new rulers or regimes, the murder of politicians, or even regicide. In Amsterdam and Paris conspicuous public works served to proclaim that legitimacy, but also became the locus of its contestation. The sublime was used both as a means of persuasion and as a way of articulating the effect of these works on the viewer.'