OWNREALITY

"To each his own reality. The notion of the real in the fine arts of France, West Germany, East Germany and Poland from 1960 to the end of the 1980s."

 Coordinatore STIFTUNG DEUTSCHE GEISTESWISSENSCHAFTLICHE INSTITUTE IM AUSLAND - DGIA 

Spiacenti, non ci sono informazioni su questo coordinatore. Contattare Fabio per maggiori infomrazioni, grazie.

 Nazionalità Coordinatore Germany [DE]
 Totale costo 1˙499˙970 €
 EC contributo 1˙499˙970 €
 Programma FP7-IDEAS-ERC
Specific programme: "Ideas" implementing the Seventh Framework Programme of the European Community for research, technological development and demonstration activities (2007 to 2013)
 Code Call ERC-2010-StG_20091209
 Funding Scheme ERC-SG
 Anno di inizio 2011
 Periodo (anno-mese-giorno) 2011-01-01   -   2015-12-31

 Partecipanti

# participant  country  role  EC contrib. [€] 
1    STIFTUNG DEUTSCHE GEISTESWISSENSCHAFTLICHE INSTITUTE IM AUSLAND - DGIA

 Organization address address: RHEINALLEE 6
city: BONN
postcode: 53173

contact info
Titolo: Dr.
Nome: Mathilde
Cognome: Arnoux
Email: send email
Telefono: +33 0 142604124
Fax: +33 0 142606783

DE (BONN) hostInstitution 1˙499˙970.00
2    STIFTUNG DEUTSCHE GEISTESWISSENSCHAFTLICHE INSTITUTE IM AUSLAND - DGIA

 Organization address address: RHEINALLEE 6
city: BONN
postcode: 53173

contact info
Titolo: Ms.
Nome: Juliane
Cognome: Braasch
Email: send email
Telefono: +33 1 42 60 32 33
Fax: +33 1 42 60 67 83

DE (BONN) hostInstitution 1˙499˙970.00

Mappa


 Word cloud

Esplora la "nuvola delle parole (Word Cloud) per avere un'idea di massima del progetto.

iron    sides    ways    real    fine    notions    arts    practices    war    until       east    notion    cold    germany    curtain    west   

 Obiettivo del progetto (Objective)

'The notion of the real is used in a recurrent manner throughout art history concerning the period since the 1960s. It is applied to neo-avant garde practices, the return to the figurative, research on the abolition of borders between art and life, and photography. Nothing is more remarkable than seeing such different art practices side by side under the same banner on both sides of the Iron Curtain, East and West. Next to the notions of freedom, economics and equality, the real is a fundamental term that was used in different ways by each of the Cold War superpowers in order to promote their models of society. This notion within the fine arts and its polymorphic Cold War aspects has yet to be fully researched. Until now, no research has ever taken into account the ideological context of the relations between the West and East's notions of the real. This research project aims to capture the way that the notion of the real was applied to the fine arts in France, West Germany, East Germany, and Poland from the 1960s until the end of the 1980s. The analysis of the application of the very same notion on both sides of the Iron Curtain provides a new reading of the links, connections, and differences between art practices East and West. Applying an innovative method of research will allow for a renewed vision of European art from the second half of the 20th century. This research aims to go beyond the conventional divisions between East and West by presenting new ways of interpreting Cold War art practices.'

Altri progetti dello stesso programma (FP7-IDEAS-ERC)

EXOMOL (2011)

ExoMol: molecular line lists for exoplanet atmospheres

Read More  

COMPASP (2014)

Complex analysis and statistical physics

Read More  

WAVETOMO (2011)

Imaging earth's internal structure using full waveform tomography

Read More