#	Pagina
attuale pagina	/open-h2020/projects/216025/index.html

Opendata, web and dolomites

TROMPA SIGNED

Towards Richer Online Music Public-domain Archives

Total Cost €

0

EC-Contrib. €

0

Partnership

0

Views

0

Outcomes and
results

TROMPA project word cloud

Explore the words cloud of the TROMPA project. It provides you a very rough idea of what is the project "TROMPA" about.

employ continually ways enrich performance personal musical instrumentalists cultural global interpreted performers outreach innovation genre reached scene offers contextualise quality greatest content happen online crowd appreciate algorithmic made treasures repertoire data singers audiences reusable giving repositories scores varying full citizens setup classical public musicians owners recordings enriching impossible automatically benefit insights centred domain uses music back creation understand feedback linking analysing re historical massively community manually actively philosophy enthusiasts contributors stored massive explicitly scholars democratising deluge amidst loving contributed unprecedented wealth co millions heritage amateur expertise choir associations released modalities cooperate publicly annotating trompa revitalised

Project "TROMPA" data sheet

The following table provides information about the project.

Coordinator	UNIVERSIDAD POMPEU FABRA Organization address address: PLACA DE LA MERCE, 10-12 city: BARCELONA postcode: 8002 website: www.upf.edu contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.
Coordinator Country	Spain [ES]
Project website	https://trompamusic.eu/
Total cost	3˙054˙930 €
EC max contribution	3˙054˙930 € (100%)
Programme	1. H2020-EU.3.6.3.1. (Study European heritage, memory, identity, integration and cultural interaction and translation, including its representations in cultural and scientific collections, archives and museums, to better inform and understand the present by richer interpretat...)
Code Call	H2020-SC6-CULT-COOP-2017-two-stage
Funding Scheme	RIA
Starting year	2018
Duration (year-month-day)	from 2018-05-01 to 2021-04-30

Partnership

Take a look of project's partnership.

#	participants	country	role	EC contrib. [€]
1	UNIVERSIDAD POMPEU FABRA UNIVERSIDAD POMPEU FABRA Organization address address: PLACA DE LA MERCE, 10-12 city: BARCELONA postcode: 8002 website: www.upf.edu contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.	ES (BARCELONA)	coordinator	729˙000.00
2	TECHNISCHE UNIVERSITEIT DELFT TECHNISCHE UNIVERSITEIT DELFT Organization address address: STEVINWEG 1 city: DELFT postcode: 2628 CN website: www.tudelft.nl contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.	NL (DELFT)	participant	640˙500.00
3	PEACHNOTE GMBH PEACHNOTE GMBH Organization address address: THORWALDSENSTRASSE 6 city: MUNICH postcode: 80335 website: n.a. contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.	DE (MUNICH)	participant	343˙500.00
4	GOLDSMITHS' COLLEGE GOLDSMITHS' COLLEGE Organization address address: LEWISHAM WAY city: LONDON postcode: SE14 6NW website: http://www.goldsmiths.ac.uk contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.	UK (LONDON)	participant	322˙625.00
5	VIDEO DOCK BV VIDEO DOCK BV Organization address address: OVERHOEKSPLEIN 2 LAB 002 city: AMSTERDAM postcode: 1031 KS website: n.a. contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.	NL (AMSTERDAM)	participant	289˙375.00
6	UNIVERSITAT FUR MUSIK UND DARSTELLENDE KUNST WIEN UNIVERSITAT FUR MUSIK UND DARSTELLENDE KUNST WIEN Organization address address: ANTON VON WEBERN PLATZ 1 city: WIEN postcode: 1030 website: www.mdw.ac.at contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.	AT (WIEN)	participant	232˙600.00
7	VOCTRO LABS SL VOCTRO LABS SL Organization address address: CALLE LLACUNA NUMERO 162 city: BARCELONA postcode: 8018 website: n.a. contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.	ES (BARCELONA)	participant	223˙225.00
8	STICHTING CENTRALE DISCOTHEEK STICHTING CENTRALE DISCOTHEEK Organization address address: HOOGSTRAAT 110 city: ROTTERDAM postcode: 3011PV website: n.a. contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.	NL (ROTTERDAM)	participant	143˙662.00
9	STICHTING KONINKLIJK CONCERTGEBOUWORKEST STICHTING KONINKLIJK CONCERTGEBOUWORKEST Organization address address: JACOB OBRECHSTRAAT 51 city: AMSTERDAM postcode: 1071 KJ website: n.a. contact info title: n.a. name: n.a. surname: n.a. function: n.a. email: n.a. telephone: n.a. fax: n.a.	NL (AMSTERDAM)	participant	130˙442.00

Map

Project objective

Classical music is one of the greatest treasures of Europe’s cultural heritage. Although a historical genre, it is continually (re)interpreted and revitalised through musical performance. Today, most of the classical repertoire is in the public domain; massive numbers of scores and recordings are now available in online community-contributed repositories actively used by scholars and musicians. Technology offers ways to enrich and contextualise this repertoire, so that users might better understand and appreciate it. However, due to varying data quality and scale, this does not happen automatically for public-domain resources. Amidst a deluge of data, relevant associations across repositories and modalities (e.g. from scores to recordings) still have to be made manually, while insights by previous users are not explicitly stored for future users to learn from. It is thus impossible to get comprehensive insight into the full wealth of our musical cultural heritage. TROMPA will change this by massively enriching and democratising our publicly available musical heritage through a user-centred co-creation setup. For analysing and linking music data at scale, the project will employ and improve state-of-the-art technology. Music-loving citizens (including the large scene of amateur performers) will cooperate with the technology, giving feedback on algorithmic results, and annotating the data according to their personal expertise. Following an open innovation philosophy, all knowledge derived will be released back to the community in reusable ways. This enables many uses in applications which directly benefit crowd contributors and further audiences. TROMPA will demonstrate this for music scholars, content owners, instrumentalists, choir singers, and music enthusiasts. Via the consortium and associated partners, global audiences can be reached at an unprecedented scale, with potential outreach to millions of users.

Deliverables

List of deliverables.
Data Management Plan	Open Research Data Pilot	2020-04-11 08:07:07
Music performance assessment	Documents, reports	2020-04-11 08:07:07
Communication channels	Websites, patent fillings, videos etc.	2020-04-11 08:07:07
Data infrastructure	Documents, reports	2020-04-11 08:07:07
Multimodal music information alignment	Documents, reports	2020-04-11 08:07:07
Develop project website and blog	Websites, patent fillings, videos etc.	2020-04-11 08:07:07
TROMPA processing library	Documents, reports	2020-04-11 08:07:07
Annotation tools	Documents, reports	2020-04-11 08:07:07
Project handbook	Documents, reports	2020-04-11 08:07:07
Annual dissemination report	Documents, reports	2020-04-11 08:07:07
Music description	Documents, reports	2020-04-11 08:07:07
Data resource preparation	Documents, reports	2020-04-11 08:07:07

Take a look to the deliverables list in detail: detailed list of TROMPA deliverables.

Publications

List of publications.
year	authors and title	journal	last update
2018	Cuesta, H., GÃ³mez E., Martorell A., & LoÃ¡iciga F. Analysis of Intonation in Unison Choir Singing published pages: , ISSN: , DOI: 10.5281/zenodo.1319597	15th International Conference on Music Perception and Cognition (ICMPC)	2020-04-11
2019	Slizovskaia, Olga; Kim, Leo; Haro, Gloria; Gomez, Emilia End-to-End Sound Source Separation Conditioned On Instrument Labels published pages: , ISSN: , DOI:	2019 International Conference on Acoustics, Speech, and Signal Processing. 2	2020-04-11
2018	GÃ³mez, Emilia; Blaauw, Merlijn; Bonada, Jordi; Chandna, Pritish; Cuesta, Helena Deep Learning for Singing Processing: Achievements, Challenges and Impact on Singers and Listeners published pages: , ISSN: , DOI:	2018 Joint Workshop on Machine Learning for Music. The Federated Artificial Intelligence Meeting (FAIM) 3	2020-04-11
2019	Cuesta, H., GÃ³mez E., & Chandna P. A Framework for Multi-f0 Modeling in SATB Choir Recordings published pages: , ISSN: , DOI:	Sound and Music Computing (SMC) Conference.	2020-04-11
2019	Ãlvaro SarasÃºa, JuliÃ¡n Urbano, Emilia GÃ³mez Mapping by Observation: Building a User-Tailored Conducting System From Spontaneous Movements published pages: , ISSN: 2297-2668, DOI: 10.3389/fdigh.2019.00003	Frontiers in Digital Humanities 6	2020-04-11

Are you the coordinator (or a participant) of this project? Plaese send me more information about the "TROMPA" project.

For instance: the website url (it has not provided by EU-opendata yet), the logo, a more detailed description of the project (in plain text as a rtf file or a word file), some pictures (as picture files, not embedded into any word file), twitter account, linkedin page, etc.

Send me an email (fabio@fabiodisconzi.com) and I put them in your project's page as son as possible.

Thanks. And then put a link of this page into your project's website.

The information about "TROMPA" are provided by the European Opendata Portal: CORDIS opendata.

More projects from the same programme (H2020-EU.3.6.3.1.)

SoPHIA (2020)

SOCIAL PLATFORM FOR HOLISTIC HERITAGE IMPACT ASSESSMENT

Read More

HERItage (2019)

The role of cultural heritage in socio-economic development and preservation of democratic values

Read More

NETCHER (2019)

NETwork and digital platform for Cultural Heritage Enhancing and Rebuilding

Read More