Explore the words cloud of the VHH project. It provides you a very rough idea of what is the project "VHH" about.
The following table provides information about the project.
Coordinator |
LUDWIG BOLTZMANN GESELLSCHAFT OSTERREICHISCHE VEREINIGUNG ZUR FORDERUNG DER WISSENSCHAFTLICHEN FORSCHUNG
Organization address contact info |
Coordinator Country | Austria [AT] |
Total cost | 5˙365˙426 € |
EC max contribution | 4˙989˙685 € (93%) |
Programme |
1. H2020-EU.3.6.2.2. (Explore new forms of innovation, with special emphasis on social innovation and creativity and understanding how all forms of innovation are developed, succeed or fail) 2. H2020-EU.3.6.3.1. (Study European heritage, memory, identity, integration and cultural interaction and translation, including its representations in cultural and scientific collections, archives and museums, to better inform and understand the present by richer interpretat...) |
Code Call | H2020-SC6-TRANSFORMATIONS-2018 |
Funding Scheme | IA |
Starting year | 2019 |
Duration (year-month-day) | from 2019-01-01 to 2022-12-31 |
Take a look of project's partnership.
The Holocaust is a central reference point for European history and a ‘negative founding myth’ of European integration. VHH is an innovation action that focuses on the digital curation and preservation of film records relating to the discovery of Nazi concentration camps and other atrocity sites. We combine state-of-the-art concepts and practices from information science, museum pedagogy and digital storytelling to design a new approach for the engagement with a significant aspect of European audio-visual heritage. While the majority of these film records are in the public domain as they were produced by Allied military personnel on government order, hardly any of them are available in digital formats fit for the purposes of technology enabled research, analysis, and curatorial re-use. Building on the advanced digitisation of a relevant selection of these materials VHH will develop new methods in digital curation and apply sophisticated technologies to the analysis and time-based annotation of these historical materials. Filmic records will be dynamically linked with photographs, audio, and texts in order to discover and unlock layers of context and meaning inaccessible through traditional linear narrative modes of dissemination. Our aim is to develop a ground-breaking inclusive concept of digital curation to innovate curatorial work with digitised film and media collections and to create best practice models and tool kits for advanced digitisation, automated analysis, linking of different media types, and the linking of tangible and intangible assets. VHH will develop new forms of learning experiences and user interaction with the digital data and the stories contained in it. We will curate a discrete set of engagement levels to facilitate users’ engagement and co-creation. The resulting prototype applications will deliver new impulses to a range of industry sectors in education, museums, libraries and archives, cultural tourism and the content industries.
Ethics Guideline | Documents, reports | 2020-04-16 13:58:05 |
Literature database | Other | 2020-04-16 13:58:26 |
Metadata integration concept | Documents, reports | 2020-04-16 13:58:16 |
Controlled vocabularies specification | Documents, reports | 2020-04-16 13:58:10 |
Definition of engagement levels, usage modes, and user types | Documents, reports | 2020-04-16 13:57:55 |
Mind map visualising multimodal curating | Documents, reports | 2020-04-16 13:58:00 |
Advanced digitisation tool kit | Documents, reports | 2020-04-16 13:58:21 |
Take a look to the deliverables list in detail: detailed list of VHH deliverables.
year | authors and title | journal | last update |
---|---|---|---|
2019 |
Daniel Helm, Martin Kampel Video Shot Analysis for Digital Curation and Preservation of Historical Films published pages: , ISSN: 2312-6124, DOI: 10.2312/gch.20191344 |
EUROGRAPHICS Workshop on Graphics and Cultural Heritage (2019) | 2020-02-18 |
2019 |
Ulrike Weckel Liberated on Film: Images and Narratives of Camp Liberation in Historical Footage and Feature Films published pages: , ISSN: 2627-5848, DOI: |
Research in Film and History Issue 2: Research, Debates and | 2020-02-18 |
2019 |
Ulrike Koppermann as visuelle Narrativ des Fotoalbums „Umsiedlung der Juden aus Ungarn“. Ein kritischer Blick auf die „Täterperspektive“ published pages: , ISSN: 0044-2828, DOI: |
Zeitschrift für Geschichtswissenschaft 67 (2019), 6. | 2020-02-18 |
2019 |
Ulrike Koppermann Challenging the Perpetrators’ Narrative: A Critical Reading of the Photo Album ‘Resettlement of the Jews from Hungary’ published pages: 101, ISSN: 2514-7897, DOI: 10.21039/jpr.2.2.38 |
Journal of Perpetrator Research 2/2 | 2020-02-18 |
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