OLD HISPANIC OFFICE

"Shaping text, Shaping melody, Shaping experience in and through the Old Hispanic office"

Coordinatore	UNIVERSITY OF BRISTOL    more Spiacenti, non ci sono informazioni su questo coordinatore. Contattare Fabio per maggiori infomrazioni, grazie.
Nazionalità Coordinatore	United Kingdom [UK]
Totale costo	1˙470˙658 €
EC contributo	1˙470˙658 €
Programma	FP7-IDEAS-ERC Specific programme: "Ideas" implementing the Seventh Framework Programme of the European Community for research, technological development and demonstration activities (2007 to 2013)
Code Call	ERC-2012-StG_20111124
Funding Scheme	ERC-SG
Anno di inizio	2013
Periodo (anno-mese-giorno)	2013-02-01   -   2018-01-31

 Partecipanti

#	participant	country	role	EC contrib. [€]
1	THE UNIVERSITY COURT OF THE UNIVERSITY OF ABERDEEN  Organization address address: KING'S COLLEGE REGENT WALK city: ABERDEEN postcode: AB24 3FX contact info Titolo: Mrs. Nome: Kerry Cognome: Kidd Email: send email Telefono: +44 1224 272663 Fax: 441224000000	UK (ABERDEEN)	beneficiary	12˙000.00
2	UNIVERSITY OF BRISTOL  Organization address address: TYNDALL AVENUE SENATE HOUSE city: BRISTOL postcode: BS8 1TH contact info Titolo: Dr. Nome: Emma Cognome: Hornby Email: send email Telefono: +44 117 3314048	UK (BRISTOL)	hostInstitution	1˙458˙658.00
3	UNIVERSITY OF BRISTOL  Organization address address: TYNDALL AVENUE SENATE HOUSE city: BRISTOL postcode: BS8 1TH contact info Titolo: Mr. Nome: Philip Cognome: Norman Email: send email Telefono: +44 117 3310421 Fax: +44 117 9546654	UK (BRISTOL)	hostInstitution	1˙458˙658.00

Mappa

 Word cloud

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 Obiettivo del progetto (Objective)

'Scholars have neglected Iberia’s early-medieval Christian liturgy, reflecting the insurmountable difficulties the non-pitch-readable music notation presents for conventional methodologies. This project’s trans-disciplinary methodology integrates the study of melody and text across the Old Hispanic liturgy for the first time. With theologians and musicologists, I will explore the potential the Old Hispanic chants had for promoting a particular religious experience within an almost-forgotten liturgy. Together, we will bring the many-layered and cross-referential Old Hispanic approach to text choice, musical punctuation and melodic pacing explicitly to the attention of modern composers, encouraging them to explore compositional processes that evoke similar spiritual responses. The composers will act as a communicative channel between the pure scholarship demanded by the Old Hispanic material, and contemporary concert audiences and congregations. We will produce a team-authored book, several peer-reviewed articles, a series of publicly performed compositions, an EU-workshop and an International Festival of new music inspired by the project findings. The Old Hispanic liturgy is one of the musical, intellectual and theological jewels of our European cultural heritage, and this project will give a wide audience a holistic understanding of its richness.'