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Narratives of Terror and Disappearance. Fantastic Dimensions of Argentina' s Collective Memory since the Military Dictatorship

 Coordinatore UNIVERSITAT KONSTANZ 

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 Nazionalità Coordinatore Germany [DE]
 Totale costo 1˙200˙000 €
 EC contributo 1˙200˙000 €
 Programma FP7-IDEAS-ERC
Specific programme: "Ideas" implementing the Seventh Framework Programme of the European Community for research, technological development and demonstration activities (2007 to 2013)
 Code Call ERC-2009-StG
 Funding Scheme ERC-SG
 Anno di inizio 2010
 Periodo (anno-mese-giorno) 2010-04-01   -   2015-03-31

 Partecipanti

# participant  country  role  EC contrib. [€] 
1    RUPRECHT-KARLS-UNIVERSITAET HEIDELBERG

 Organization address address: SEMINARSTRASSE 2
city: HEIDELBERG
postcode: 69117

contact info
Titolo: Dr.
Nome: Norbert
Cognome: Huber
Email: send email
Telefono: +49 6221542157
Fax: +49 6221543599

DE (HEIDELBERG) beneficiary 339˙312.00
2    UNIVERSITAT KONSTANZ

 Organization address address: UNIVERSITATSSTRASSE 10
city: KONSTANZ
postcode: 78457

contact info
Titolo: Dr.
Nome: Kirsten
Cognome: Mahlke
Email: send email

DE (KONSTANZ) hostInstitution 860˙688.00
3    UNIVERSITAT KONSTANZ

 Organization address address: UNIVERSITATSSTRASSE 10
city: KONSTANZ
postcode: 78457

contact info
Titolo: Ms.
Nome: Christina
Cognome: Leib-Keßler
Email: send email
Telefono: +49 7531 882393

DE (KONSTANZ) hostInstitution 860˙688.00

Mappa


 Word cloud

Esplora la "nuvola delle parole (Word Cloud) per avere un'idea di massima del progetto.

cultural    social    narrative    traumatic    war    terror    historical    unspeakable    argentinean    terrorism    fantastic    disappeared    political    combines    figure   

 Obiettivo del progetto (Objective)

'Terror and its social and cultural effects are the most unspeakable and traumatic facts of the 20th and 21st centuries. The two-fold argument is that terror a) operates and perpetuates itself by means of fantastic narratives, and b) is one of the characteristic elements evoked by the fantastic genre. This project seeks to investigate the interdependency of fantastic narrative and the historical phenomenon of terror. The five-year, six-member project combines a literary theoretical reassessment of the fantastic as a mode of telling the unspeakable with a historical case study of the Argentinean 'war on terrorism' during the military dictatorship of 1976-83 and its aftermath. The discourses of actual terror and imaginary fantastic intersect in the figure of the Disappeared: those suspected of terrorist activities against the state were systematically abducted, tortured, murdered, and forced to disappear. The Disappeared are not merely missing subjects, but also a social cipher of indeterminacy that decisively organizes traumatic past and political present through narrative. This project uses an approach which combines narratological analysis with a Cultural Studies perspective including Political Science and Social Anthropology to investigate the specific ways that the figure of the Disappeared shapes the Argentinean social body, its histories and collective self-understanding. For the first time, the Disappeared are analyzed as integral figures of the transition between historical reality and fantastical imagination. Their case history represents a paradigm for a terroristic answer to terrorism and can shed light on current debates on the war on terrorism . The research group will enquire into the conditions of emergence, authorships, paths of dissemination, the semantic de-and re-codings and reciprocal relations of concepts of terror, security and subversion. The methodology therefore combines qualitative Cultural Studies with quantitative analyses.'

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HURRICANE (2010)

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