Explore the words cloud of the IoMUT project. It provides you a very rough idea of what is the project "IoMUT" about.
The following table provides information about the project.
Coordinator |
QUEEN MARY UNIVERSITY OF LONDON
Organization address contact info |
Coordinator Country | United Kingdom [UK] |
Project website | http://www.iomut.eu |
Total cost | 183˙454 € |
EC max contribution | 183˙454 € (100%) |
Programme |
1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility) |
Code Call | H2020-MSCA-IF-2016 |
Funding Scheme | MSCA-IF-EF-ST |
Starting year | 2017 |
Duration (year-month-day) | from 2017-05-01 to 2019-04-30 |
Take a look of project's partnership.
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1 | QUEEN MARY UNIVERSITY OF LONDON | UK (LONDON) | coordinator | 183˙454.00 |
This project aims at designing, developing, and validating new interfaces for technologically-mediated interaction between performers and audiences in order to achieve novel forms of musical expression and foster audience engagement in live performing arts. Current systems for networked music performances that allow performers to collaboratively create music over a network), and for participatory live music performance that enable audiences to actively engage in the music creation process, are limited both from the technological and artistic perspectives. To progress the state-of-the-art, we propose to extend the concepts of the Internet of Things to the musical domain leading to a subfield that we coin as the Internet of Musical Things (IoMUT). IoMUT refers to the network of physical objects (Musical Things) dedicated to the production and fruition of multimodal musical content. This project will implement the IoMUT by creating Musical Things in the form of new musical instruments and new wearable devices, and by delivering a technological infrastructure that allows for their bidirectional wireless communication, both locally and remotely. Such an infrastructure will enable an ecosystem of interoperable devices connecting performers as well as performers and audiences to support new performer-performer and audience-performers interactions, not possible beforehand. The project will define and implement some use cases demonstrating the proposed IoMUT and evaluate them. This approach aspires to effect a step-change in the design of interfaces for musical expression, resulting in a potentially high economic impact on the whole music industry. The project also contributes to the fundamental understanding of the mechanisms underlying music perception and music performance in interactive and multimodal contexts.
year | authors and title | journal | last update |
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2018 |
Luca Turchet, Carlo Fischione, Georg Essl, Damian Keller, Mathieu Barthet Internet of Musical Things: Vision and Challenges published pages: 61994-62017, ISSN: 2169-3536, DOI: 10.1109/access.2018.2872625 |
IEEE Access 6 | 2019-08-30 |
2018 |
Luca Turchet Smart Musical Instruments: vision, design principles, and future directions published pages: 1-1, ISSN: 2169-3536, DOI: 10.1109/access.2018.2876891 |
IEEE Access | 2019-08-30 |
2018 |
L. Turchet and M. Barthet Ubiquitous Musical Activities with Smart Musical Instruments published pages: , ISSN: , DOI: |
Proceedings of the Workshop on Ubiquitous Music 1 per year | 2019-08-30 |
2018 |
Luca Turchet, Andrew McPherson, Mathieu Barthet Real-Time Hit Classification in a Smart Cajón published pages: , ISSN: 2297-198X, DOI: 10.3389/fict.2018.00016 |
Frontiers in ICT 5 | 2019-08-30 |
2017 |
L. Turchet and M. Barthet Envisioning Smart Musical Haptic Wearables to Enhance Performers\' Creative Communication published pages: 538–549, ISSN: , DOI: |
Proceedings of International Symposium on Computer Music Multidisciplinary Research 1 per year | 2019-08-30 |
2018 |
Luca Turchet, Andrew McPherson, Mathieu Barthet Co-design of a Smart Cajón published pages: 220-230, ISSN: 1549-4950, DOI: 10.17743/jaes.2018.0007 |
Journal of the Audio Engineering Society 66/4 | 2019-08-30 |
2018 |
L. Turchet and M. Barthet Demo of interactions between a performer playing a Smart Mandolin and audience members using Musical Haptic Wearables published pages: 82-83, ISSN: , DOI: |
Proceedings of the International Conference on New Interfaces for Musical Expression 1 per year | 2019-08-30 |
2017 |
L. Turchet and M. Barthet An Internet of Musical Things architecture for performers-audience tactile interactions published pages: , ISSN: , DOI: |
Proceedings of the Digital Music Research Network Workshop 1 per year | 2019-08-30 |
2018 |
A. Stolfi, M. Ceriani, L. Turchet, and M. Barthet Playsound.space: Inclusive Free Music Improvisations Using Audio Commons. , pages , 2018. published pages: 228-233, ISSN: , DOI: |
Proceedings of the International Conference on New Interfaces for Musical Expression 1 per year | 2019-08-30 |
2017 |
L. Turchet, C. Fischione, and M. Barthet. Towards the Internet of Musical Things published pages: pages 13–20, ISSN: , DOI: |
Proceedings of Sound and Music Computing Conference 1 per year | 2019-08-30 |
2018 |
Luca Turchet, Mathieu Barthet Co-Design of Musical Haptic Wearables for Electronic Music Performer’s Communication published pages: 1-11, ISSN: 2168-2291, DOI: 10.1109/thms.2018.2885408 |
IEEE Transactions on Human-Machine Systems | 2019-08-30 |
2018 |
L. Turchet Hard real-time onset detection of percussive sounds published pages: , ISSN: , DOI: |
Proceedings of the International Conference on Digital Audio Effects 13:1--13:7 | 2019-08-30 |
2018 |
Luca Turchet, Carlo Fischione, Georg Essl, Damian Keller, Mathieu Barthet Internet of Musical Things: Vision and Challenges published pages: 61994-62017, ISSN: 2169-3536, DOI: 10.1109/access.2018.2872625 |
IEEE Access 6 | 2019-08-30 |
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The information about "IOMUT" are provided by the European Opendata Portal: CORDIS opendata.