MUSMAP
AUDITORY-MOTOR PATTERNING OF MUSIC PERFORMANCE VIA MULTI-MODAL ANALYSIS OF PLAYING TECHNIQUE
| Coordinatore | UNIVERSIDAD POMPEU FABRA
Organization address
address: PLACA DE LA MERCE 10-12 contact info |
| Nazionalità Coordinatore | Spain [ES] |
| Totale costo | 221˙191 € |
| EC contributo | 221˙191 € |
| Programma | FP7-PEOPLE
Specific programme "People" implementing the Seventh Framework Programme of the European Community for research, technological development and demonstration activities (2007 to 2013) |
| Code Call | FP7-PEOPLE-2012-IOF |
| Funding Scheme | MC-IOF |
| Anno di inizio | 2014 |
| Periodo (anno-mese-giorno) | 2014-04-01 - 2017-03-31 |
Partecipanti
| # | ||||
|---|---|---|---|---|
| 1 |
UNIVERSIDAD POMPEU FABRA
Organization address
address: PLACA DE LA MERCE 10-12 contact info |
ES (BARCELONA) | coordinator | 221˙191.50 |
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Obiettivo del progetto (Objective)
'MUSMAP develops research on the topic of auditory-motor interaction, using music performance as a case study. The project will address methodological and technological challenges in the development of multi-modal data acquisition and analysis methods for the construction of auditory-motor patterning schemes, with the aim of modelling instrumental playing technique from a computational perspective. Violin performance, which involves time-continuous feedback adaptations through tightly-coupled action-perception interaction, represents a rich and underexplored case study. The research to be pursued in MUSMAP is divided into three main parts: (1) To utilize multi-modal data acquisition and analysis methods to develop and validate auditory-motor pattern representation models by creating and systematically studying an extensive set of violin performance multi-modal recordings of trained musicians. (2) To apply auditory-motor pattern representations to design a system for automatic control of violin sound synthesis presenting a closed-loop, feed-forward architecture by which a motor sequencing component is updated in response to perceptual features of synthesized sound. Beyond its interest as a promising technology for upcoming computer-aided music production frameworks, the system represents an ideal test bed for validating the auditory-motor representation models developed as part of objective (1). (3) To apply auditory-motor pattern representations to develop novel, high-quality sound processing technologies through which meaningful audio perceptual attribute manipulations are driven by motor primitives, enabling auditory-motor remapping of recorded or real-time violin performances. In collaboration with top-class institutions specialized in cognitive neuroscience aspects of sensory-motor interaction, developed technologies will be used to propose and execute novel experiments involving the manipulation of a musician’s auditory experience when performing and listening.'