TEXTILE

An Iconology of the Textile in Art and Architecture

Coordinatore	UNIVERSITAET ZUERICH    more Spiacenti, non ci sono informazioni su questo coordinatore. Contattare Fabio per maggiori infomrazioni, grazie.
Nazionalità Coordinatore	Switzerland [CH]
Totale costo	686˙000 €
EC contributo	686˙000 €
Programma	FP7-IDEAS-ERC Specific programme: "Ideas" implementing the Seventh Framework Programme of the European Community for research, technological development and demonstration activities (2007 to 2013)
Code Call	ERC-2009-StG
Funding Scheme	ERC-SG
Anno di inizio	2009
Periodo (anno-mese-giorno)	2009-09-01   -   2013-08-31

 Partecipanti

#	participant	country	role	EC contrib. [€]
1	UNIVERSITAET ZUERICH  Organization address address: Raemistrasse 71 city: ZURICH postcode: 8006 contact info Titolo: Ms. Nome: Sofia Cognome: Karakostas Email: send email Telefono: +41 44 634 53 50 Fax: +41 44 634 53 51	CH (ZURICH)	hostInstitution	686˙000.00
2	UNIVERSITAET ZUERICH  Organization address address: Raemistrasse 71 city: ZURICH postcode: 8006 contact info Titolo: Prof. Nome: Tristan Cognome: Weddigen Email: send email Telefono: +41 76 588 15 76 Fax: +41 44 634 49 14	CH (ZURICH)	hostInstitution	686˙000.00

Mappa

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 Obiettivo del progetto (Objective)

'The fabrication of textiles is one of the oldest cultural technologies. The objective of the proposed interdisciplinary research project is to investigate the historical meanings and functions of the textile medium in art and architecture from the Middle Ages to the present. The exploration of this specific art medium should result in a historical theory or iconology of the textile. The project focussed on the textile discourse engages in a new, complex, and challenging field of research situated between art and architectural history and within cultural and visual studies, involving also other disciplines such as literary studies and social history. Moreover, it aims at connecting the two scientific cultures of the universities and museums, and it draws transdisciplinary expertise from contemporary art. The framework of the project can be described by seven interconnected subject areas which are dedicated to specific questions and which share categories of objects such as figurative tapestries, installation art, literary texts, or architectural materials. This requires a variety of instrumental methods ranging from gender studies to textual analysis, from iconography to anthropological approaches. Two postdoctoral researchers and one doctoral candidate will work on a topic related to one or more of the subject areas. The team s aim is to perform basic research in an innovative and contemporary field, independently of traditional institutional constraints, in order to contribute to the establishment of the history of textile art as an academic discipline and to the advancement of art and architectural history towards a general history of images, media, and artefacts.'