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TRAVELLING SOUNDS SIGNED

Travelling Sounds: A cultural analysis of sonic artefacts in postcolonial Europe

Total Cost €

0

EC-Contrib. €

0

Partnership

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 TRAVELLING SOUNDS project word cloud

Explore the words cloud of the TRAVELLING SOUNDS project. It provides you a very rough idea of what is the project "TRAVELLING SOUNDS" about.

scholar    thinking    vibrant    space    me    movement    contexts    am    politics    started    shaped    sound    functions    iconic    gilroy    carnival    sounds    uk    people    identificatory    establishing    groups    independent    connection    london    music    exemplify    keen    political    movements    musical    expressions    social    context    organisation    artistic    globalisation    south    riots    myself    media    denmark    perspective    individuals    square    transcultural    practices    representation    power    signature    copenhagen    theory    everyday    examples    drum    globalised    urban    connected    contemporary    memory    commemoration    activist    culture    reinventions    cultural    boundaries    entangled    question    history    blackberry    crossing    ways    voices    greenlandic    steel    migratory    histories    sonic    world    criss    mobile    fascinated    expertise    cultures    times    networks    phd    notting    integral    messaging    forge    ideas    diverse    events    nation    hill    artefacts    2011    british    postcolonial    asian   

Project "TRAVELLING SOUNDS" data sheet

The following table provides information about the project.

Coordinator
KOBENHAVNS UNIVERSITET 

Organization address
address: NORREGADE 10
city: KOBENHAVN
postcode: 1165
website: www.ku.dk

contact info
title: n.a.
name: n.a.
surname: n.a.
function: n.a.
email: n.a.
telephone: n.a.
fax: n.a.

 Coordinator Country Denmark [DK]
 Total cost 212˙194 €
 EC max contribution 212˙194 € (100%)
 Programme 1. H2020-EU.1.3.2. (Nurturing excellence by means of cross-border and cross-sector mobility)
 Code Call H2020-MSCA-IF-2016
 Funding Scheme MSCA-IF-EF-ST
 Starting year 2018
 Duration (year-month-day) from 2018-09-01   to  2020-08-31

 Partnership

Take a look of project's partnership.

# participants  country  role  EC contrib. [€] 
1    KOBENHAVNS UNIVERSITET DK (KOBENHAVN) coordinator 212˙194.00

Map

Leaflet | Map data © OpenStreetMap contributors, CC-BY-SA, Imagery © Mapbox

 Project objective

'In this postcolonial and globalised world, the movement and criss-crossing of people, ideas, and sonic artefacts across the boundaries of nation states have become integral to the everyday cultural practices of individuals and groups. The vibrant connection between everyday cultural practices, artistic expressions, and new ways of thinking about culture in times of growing migratory movements and globalisation, has fascinated me ever since I started my PhD project on South Asian British musical cultures in the context of postcolonial history and theory. Aiming at establishing myself as an independent scholar, and at taking my expertise in cultural studies, sound studies and postcolonial studies to the next level, I am keen to study the postcolonial condition (Gilroy) of Europe not only through its musical, but also through its wider sonic cultures, taking into account sonic artefacts from different contexts, such as: sonic reinventions of urban space, the social functions of mobile devices, and the identificatory power of sound in cultural memory and commemoration. The overall aim of this project is to establish a comparative perspective which includes case studies from Denmark and the UK, and to investigate the cultural, social and political potential of sonic artefacts – music, voices, and everyday sounds – to forge a better understanding of Europe’s transcultural and entangled postcolonial histories and how they have shaped contemporary sound cultures. To exemplify this, the project focuses on specific iconic events and artefacts such as the sonic-cultural politics of “Greenlandic Square” in Copenhagen, the postcolonial signature sound of the steel drum at Notting Hill Carnival in London, and the 2011 so-called 'Blackberry riots' addressing its use of social media networks for messaging, activist organisation and sonic representation. The challenging question when looking at these diverse examples is how they are connected to Europe’s postcolonial condition.'

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The information about "TRAVELLING SOUNDS" are provided by the European Opendata Portal: CORDIS opendata.

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